Parineeta

For a nation starved of creatively fulfilling cinema, Vidhu Vinod Chopra's Parineeta is like a dream come true. If you overlook the overindulgence in melodrama in the last few reels of the film, Parineeta may well classify as a classic entertainer with brilliant performances, outstanding music and superb production values. Based on Saratchandra Chatterjee's novel, Parineeta is the story of two childhood friends - Lolita (newcomer Vidya Balan) and Shekhar (Saif Ali Khan), both hailing from different strata of society. They share an unspoken bond of love. Enter Girish (Sanjay Dutt) from London. Shekhar is driven to jealousy by the growing affections between Girish and Lolita. A series of circumstances manipulated by Shekhar's father Naveen Rai force the two lovers apart amidst a series of misunderstandings and betrayals. Parineeta is the story of a woman's endless wait for her love and director Pradeep Sarkar weaves the story like magic, especially in the first half. The relationship between Lolita and Shekhar is beautifully established right from the beginning. Sarkar excels in the detailing - the vintage look of the film stands out with authentic costumes, props and even the roads of Kolkata. Which makes the deliberate plugs of brands like Saridon and Cadbury stand out sorely. Some of the sequences haunt you much after the film is over: Shekhar's complex state of mind during his marriage with Gayatri (Dia Mirza) and his confrontation scenes with Lolita. Girish's first encounter with Lolita and Saif's anguish as he helplessly watches his love slip by are excellent. The scene in the recording studio is worth a mention. Full marks to Vinod Chopra and Sarkar for a deft screenplay. Sarkar's picturisations of Piyu Bole and Soona Mann Ka Aangan are mesmerising. The background score is heavily inspired by 1942: A Love Story. Perhaps the only problem with the film lies in its script and maybe contemporarising it would have helped. In the second half, the script stumbles. And then comes the worst part - the climax. The wall breaking scene between shouts from family and friends screaming, "Todh, Shekhar todh!" is so amateur that it dilutes the whole film's impact. All the performances are top class - Vidya Balan makes a sensational debut. Whether it's her coy demeanour with Saif or her confusion with Sanjay, Vidya is an absolute delight. Sanjay Dutt is in super form. Sabyasachi Chakraborty as Saif's father is brilliant. Among the others, Raima Sen and Ninad Kamat (as Shekhar's friend) add enormously to the film despite their miniscule parts. But Parineeta really belongs to Saif Ali Khan. It's his best performance to date. Khan showcases a plethora of emotions, all in right doses - jealousy, compassion, callousness, insecurity, resentment and joy. It's hard to imagine any other actor playing the role. With this film, Saif rightfully acquires his position in the top rung of the industry. If Parineeta falls short of being a masterpiece, it's only due to the few howlers in the latter half. But even the chinks in the armour can't rob the film of its sheen. For Hindi cinema, it's a big step forward.