When I saw the trailer for The Promise, it didn't look too impressive to me, but I noted that it is a Chen Kaige film, and Chen Kaige is reason enough to watch a film that might not look so good.
So I watched The Promise (or Mo Gik), and I must say that it is not often I watch a film with my jaw down most of the time in reaction to the visual majesty of the film.
When I watch movies, the first thing I look out for are the new things to see, more so than the stories. That's the whole point of the cinema, right? To use our eyes. The Promise delivers full marks on that front, with precise and unique cinematography that captures and compliments the breathless and mystical elements of the film in dazzling colors and sweeping scenery.
At this juncture I must note that The Promise is shot digitally, and employs a wide range of digital effects to create the semi-fantasy world of fluorescent colors and out of this world settings. One of the common complaints about this film is that the CGI, as well as the set decoration in this film looks highly amateurish despite it's grand setting. I have to agree that it's not the finest looking visual effects in the world, but I'm proud of it nonetheless. For a budget 4 times less than movies like Star Wars and King Kong (despite it being the most expensive film ever made in China), the effects are pretty darn good to see. Watch it in context, and it'll be the finest thing that China has ever seen.
As for the acting, I can't say too much about it. A Korean and and a Japanese take up two of the four lead roles, and both of them speak mandarin well enough to pass off as Chinese characters. Cecilia Chung dazzles the screen not only with her beauty, but simple gestures of seduction that would capture any man's attention in an instant. Nicholas Tse, whom I personally consider as someone who cannot act for nuts, manages to act a little bit this time as the cunning Duke.
Action, romance, and dialogue mesh together happily and consistently throughout the film, accompanied by the epic score by Klaus Badelt.
A dazzling experience in the cinema. The film is not without it's flaws, with plot holes occurring every now and then, and moments of extreme cliché. But before these moments shame the film, the next moment of visual cuts in and saves the day.
8/10
