अपनी भाषा में प्लॉट जोड़ेंA young woman enrolls at an all-girls college in New England to investigate her sister's suicide and is slowly lured into a witchcraft cult by a quartet of students who want her to become th... सभी पढ़ेंA young woman enrolls at an all-girls college in New England to investigate her sister's suicide and is slowly lured into a witchcraft cult by a quartet of students who want her to become the fifth member of their evil circle.A young woman enrolls at an all-girls college in New England to investigate her sister's suicide and is slowly lured into a witchcraft cult by a quartet of students who want her to become the fifth member of their evil circle.
- Young Jenny
- (as Sally T. Sherwood)
कहानी
क्या आपको पता है
- ट्रिवियाKate Jackson appeared in the original version (Satan's School for Girls (1973)) as Roberta Lockhart, a college student at Salem Academy. Her real-life nemesis, Cheryl Ladd, also played a part in it. Ladd did not get along with Kate---nor later, with most of her "Angels" co-stars---and even drove Shelley Hack out of the series, at the end of season four. Coincidentally, Shannen Doherty's nemesis, Alyssa Milano, drove her out of Charmed. Both Shannen and Kate had no choice but to act "sisterly" on-screen with their diminutive, real-life antagonists.
- गूफ़When Karen is leaving the party, you can see her microphone box attached to the back of her dress.
- भाव
Alison Kingsley: I just meant that I'm glad someone could be there for you. And you know I'm always here for you too. I guess we don't know each other that well yet but I hope that'll change.
- कनेक्शनReferenced in Shriek If You Know What I Did Last Friday the Thirteenth (2000)
- साउंडट्रैकTell Me Girlfriend
Written and Performed by Miklos Malek and Ádám Balázs
Arranged and Produced by Miklos Malek
Courtesy of Barbara Jordan/Heavy Hitters
The 2000 TV movie readily dates itself with songs heard in passing on the soundtrack, and a pointed reference to a government leader and relationships with interns. Beyond the special effects, even the small touches of flair with which scenes are presented feel particular to the timeframe, and ham-handed: insertion of additional male characters (a love interest, because of course), the requisite scattering of birds to startle the protagonist, kitschy expositional dialogue, and more. The camerawork and editing is less than subtle, and plot development no less.
Though I'm not specifically familiar with her, Shannon Doherty has a long list of credits in film and especially television that makes her a prime candidate to be this feature's protagonist. I like Julie Benz, and I'll happily take any opportunity to watch her in something; indeed, here she obviously relishes the space her role allows her to play in, and it's a joy to watch her. Still, however - Doherty, Benz, and their co-stars are limited by the terrible blunt forthrightness of the screenplay and otherwise execution, showing everything to us with unwelcome brazen plainness. More than that: the 1973 version of 'Satan's school for girls' exceeded the bounds of its format with strong writing and performances. This 2000 rendition works so hard to embellish the core narrative with its own distinguishing flourishes and flashy effects that the story and the cast get lost in the process. What then was a brisk and engaging tale is here mostly reduced to tawdry, middling pablum.
It's not all bad. The slight twist that 2000's movie puts on its progenitor's narrative had its own potential. The assembled actors do the best they can under the circumstances. But there is simply not enough value here to outweigh many other elements that range from suspect to subpar. There are worse things you could watch, and if you're an especial fan of someone in the cast - sure, have at it, I guess. If you're a particular fan of the 1973 film I'm less certain about a recommendation, and likewise for viewers at large. 2000's 'Satan's school for girls' is a very mildly entertaining remake that just tries too hard, and is worse for it.
- I_Ailurophile
- 22 अक्तू॰ 2021
- परमालिंक