Odia il prossimo tuo

Sure, the lead hero guy here is a bit bland and not given much to do, but thankfully the two bad guys here - George Eastman and Horst Frank, save the film! Maybe director Ferdinando Baldi knew this, as he seems to focus more on Eastman than anyone else. That, and there's a them tune seemingly sung by a pre-op transvestite whose hormone supplements have gone wrong.

26 foot tall Eastman plays Gary Stevens, and when we first meet him, he's riding into town following a guy called Dakota, who owns half a map that leads to a gold mine. After no one in town will help Dakota, and grinning Stevens guns him and his wife down (he doesn't spot their son, however). A local undertaker saves the son and takes him to Dakota's brother, who is also called Dakota.

This, more alive Dakota, starts things off by giving local sheriff Franco Fantasia a good kicking for not helping his brother, but it's really Stevens he's after. Things get a bit complicated as Stevens actually works for evil Horst Frank, and Frank wants that map, but also doesn't want to give Stevens his share - cue double crossings! The good thing about Frank is that he likes to force people to fight each other using huge metal claws. Why I don't know, but it looks cool and it's not something you see often in these films. That's another thing this film has going for it - claw fighting. And explosions.

While it's mostly a kind of run of the mill Spaghetti Western director Baldi throws in enough weirdness to grab your attention (claw fighting!) so it kind of stands out that way. Plus, Baldi also made Warbus so he ain't no fool. Eastman is good as the goofy, laughing Stevens and Horst Frank has a stare that could pierce metal. Needed a better leading man, though.