After a mildly promising beginning (although a little generic both for a Rodriguean adaptation and for a Brazilian film from the 70's, quite similar to many others), it worsens a lot, becoming chaotic dirty bad-taste nonsense. Initially, weirdness brings an intriguing atmosphere. But soon it becomes clear that it is just one more noisy and boring crappy experiment by Arnaldo Jabor. Quite typical of him...
