अपनी भाषा में प्लॉट जोड़ेंMaria, a prostitute, meets Cesare in a police station, a drunkard reporter. Cesare falls in love with her and wants to save her from her bleak life but the girl refuses any help.Maria, a prostitute, meets Cesare in a police station, a drunkard reporter. Cesare falls in love with her and wants to save her from her bleak life but the girl refuses any help.Maria, a prostitute, meets Cesare in a police station, a drunkard reporter. Cesare falls in love with her and wants to save her from her bleak life but the girl refuses any help.
फ़ोटो
María Martín
- Un'ospite dell'istituto
- (as Mary Martin)
Oscar Andriani
- Un collega di Cesare
- (बिना क्रेडिट के)
Ughetto Bertucci
- Un testimone al commissariato
- (बिना क्रेडिट के)
Mimo Billi
- Il commissario a Genova
- (बिना क्रेडिट के)
Armida Bonocore
- Un'ospite dell'istituto
- (बिना क्रेडिट के)
Anna Campori
- La nuova inquilina
- (बिना क्रेडिट के)
Anna Carena
- La portinaia
- (बिना क्रेडिट के)
Giovanna Cigoli
- La madre di Maria
- (बिना क्रेडिट के)
Rina Franchetti
- La guardiana dell'istituto 'Santa Chiara'
- (बिना क्रेडिट के)
Giacomo Furia
- Il nuovo inquilino
- (बिना क्रेडिट के)
कहानी
क्या आपको पता है
- ट्रिवियाItalian censorship visa # 19856 delivered on 26-9-1955.
- कनेक्शनRemake of Stasera niente di nuovo (1942)
फीचर्ड रिव्यू
There are some very memorable scenes in this film that you will not be likely to forget. The first is the magnificent flashback to Tunis during the war at a joint where Maria appears as a young brilliant irresistible beauty on the leash by her procurer, who uses her to entice rich gamblers to lose their fortunes at the illegal gaming table. He will be at her all her life. From this life the journalist Amedeo Nazzari appears as a rescuer, but to begin with she is the one who saves his life after a bombing attack in Tunis. When he rises again from the bed she is gone, and when she reappears in his life many years later he has completely forgotten her, while she has not forgotten him. She is then a prostitute in Milan, and when reminded of her, he decides to save her from her state of life. He brings her to a home for fallen women, a kind of rehabilitation centre, neither a prison nor convent which provides the chance for fallen women to begin a new life, and they are free to stay there or go as they choose. When Nazzari gets too serious in his increasing affection for her and starts planning a regular life for them together, she revolts, leaves the establishment and returns to her old life, as her old pimp has found her again. He is prepared to leave for a rich life in South America with her, when a conclusion sets in with a surprise that is devastating in its resolution.
The second memorable scene is the amazing insight into the establishment for fallen women, their life together, their conditions, (they have almost all come out of prison,) and how they even find some pleasure and leisure in their secluded existence. Mario Mattoli made this same film 13 years earlier with Alida Valli, then a young girl, but the Swedish Mai Britt as a blonde is also perfect in the role with almost a Garboesque detachment. She later married Sammy Davis Jr and had some children with him, which brought her out of the cinema.
It is in many ways a perfect film, reminiscent of other films of the same character like "Waterloo Bridge" and of course "Camille", but this is more realistic, less romanticised and more genuine in its human intimacy, particularly in the scenes from the girls' establishment.
The second memorable scene is the amazing insight into the establishment for fallen women, their life together, their conditions, (they have almost all come out of prison,) and how they even find some pleasure and leisure in their secluded existence. Mario Mattoli made this same film 13 years earlier with Alida Valli, then a young girl, but the Swedish Mai Britt as a blonde is also perfect in the role with almost a Garboesque detachment. She later married Sammy Davis Jr and had some children with him, which brought her out of the cinema.
It is in many ways a perfect film, reminiscent of other films of the same character like "Waterloo Bridge" and of course "Camille", but this is more realistic, less romanticised and more genuine in its human intimacy, particularly in the scenes from the girls' establishment.
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषा
- इस रूप में भी जाना जाता है
- Esta noche nada nuevo
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
- चलने की अवधि1 घंटा 38 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.37 : 1
इस पेज में योगदान दें
किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें