Immortal Beloved

1994
R
2 घं 1 मि

IMDb रेटिंग

7.4/10

27 हज़ार

आपकी रेटिंग

Home Video Trailer from Columbia Pictures

trailer प्ले करें2:43

1 वीडियो

99+ फ़ोटो

Costume Drama Dark Romance Docudrama Period Drama Psychological Drama Tragedy Tragic Romance Biography Drama Music

अपनी भाषा में प्लॉट जोड़ेंA biopic exploring Beethoven's tumultuous life, focusing on his romantic pursuits. The film investigates the identity of the mysterious woman to whom the composer penned a passionate love le... सभी पढ़ेंA biopic exploring Beethoven's tumultuous life, focusing on his romantic pursuits. The film investigates the identity of the mysterious woman to whom the composer penned a passionate love letter, delving into his complex relationships.A biopic exploring Beethoven's tumultuous life, focusing on his romantic pursuits. The film investigates the identity of the mysterious woman to whom the composer penned a passionate love letter, delving into his complex relationships.

IMDbPro पर प्रोडक्शन की जानकारी देखें

IMDb रेटिंग

7.4/10

27 हज़ार

आपकी रेटिंग

IMDbPro पर प्रोडक्शन की जानकारी देखें

पुरस्कार
- कुल 1 नामांकन

इस तरह के और

6.7

7.0

7.6

5.3

7.6

7.3

8.4

7.3

Rosencrantz & Guildenstern Are Dead

6.9

6.8

7.5

6.3

कहानी

बदलाव करें

क्या आपको पता है

बदलाव करें

ट्रिविया
Gary Oldman actually played all of the Beethoven pieces he performed in the film. A different musician performed in the official soundtrack. When Oldman learned he would be playing the lead role, he spent six weeks practicing on a Steinway piano for six hours a day in his hotel, and completely immersed himself in the music as his research for the character. In an interview with the South Bank show in 1997, Oldman quoted an article that said "he mimes very well" in the film. He then laughed and said "I'm playing it! I can play that!"

गूफ़
At his first public recital, Ludwig was eight years-old (some sources report seven) and his father announced him as six, yet the movie conveys, via voiceover, that Ludwig was "12 and his father told the court he was nine".

भाव
Ludwig van Beethoven: [in reference to "Violin Sonata in A Major, Op. 47" - "Kreutzer"...] Do you like it?
Anton Felix Schindler: Shh!
Ludwig van Beethoven: I cannot hear them, but I know they are making a hash of it. What do you think? Music is... a dreadful thing. What is it? I don't understand it. What does it mean?
Anton Felix Schindler: It - it exalts the soul.
Ludwig van Beethoven: Utter nonsense. If you hear a marching band, is your soul exalted? No, you march. If you hear a waltz, you dance. If you hear a mass, you take communion. It is the power of music to carry one directly into the mental state of the composer. The listener has no choice. It is like hypnotism. So, now... What was in my mind when I wrote this? Hmm? A man is trying to reach his lover. His carriage has broken down in the rain. The wheels stuck in the mud. She will only wait so long. This... is the sound of his agitation. "This is how it is... ," the music is saying. "Not how you are used to being. Not how you are used to thinking. But like this."

कनेक्शन
Featured in Siskel & Ebert & the Movies: Disclosure/Drop Zone/Nell/The Last Buffalo/Into the Deep/Immortal Beloved (1994)

साउंडट्रैक
Missa Solemnis in D Major, Op. 123
Written by Ludwig van Beethoven
Performed by London Symphony Orchestra
Conducted by Georg Solti (as Sir Georg Solti)
Performed by Renée Fleming soprano - Ann Murray alto - Vinson Cole tenor - Bryn Terfel bass with London Voices
Chorus master: Terry Edwards

उपयोगकर्ता समीक्षाएं149

फीचर्ड रिव्यू

9/10

absolutely lovely

I can't believe I missed this gem at the movies, Oldman is just brilliant, his sheer charisma and presence in some scenes take the attention immediately and unfairly from others without him uttering a word first. The only fault I could find with this beautifully directed movie, was not enough of Beethovens music, the only time we really get to hear it fully is the wonderful scene at the end with his ninth symphony. The scene as well of a young Beethoven fleeing from his drunken father, and then floating in the pool of stars as the choral part of the symphony erupts, bought me to tears and will remain with me forever. The movie is incredible and the Academy awards should collectively hang their heads in shame for being so dull not to see this movie as worthy of even being nominated due to its silly rules, or for never recognising Oldman then or since for the wonderful and great English actor that he truly is.