जब एक लुप्त होती अभिनेत्री एक अमरता उपचार के बारे में सीखती है, तो वह इसे अपने लंबे समय के प्रतिद्वंद्वी से आगे निकलने के तरीके के रूप में देखती है।जब एक लुप्त होती अभिनेत्री एक अमरता उपचार के बारे में सीखती है, तो वह इसे अपने लंबे समय के प्रतिद्वंद्वी से आगे निकलने के तरीके के रूप में देखती है।जब एक लुप्त होती अभिनेत्री एक अमरता उपचार के बारे में सीखती है, तो वह इसे अपने लंबे समय के प्रतिद्वंद्वी से आगे निकलने के तरीके के रूप में देखती है।
- 1 ऑस्कर जीते
- 5 जीत और कुल 16 नामांकन
Alaina Reed-Hall
- Psychologist
- (as Alaina Reed Hall)
कहानी
क्या आपको पता है
- ट्रिवियाMeryl Streep accidentally scarred Goldie Hawn's cheek with a shovel during the fight scene.
- गूफ़After Madeleine drinks the potion, Lisle pins a 'brooch' to the right side of her dress. When Madeleine goes to the hall to leave it's on the left side of her dress.
- भाव
Madeline Ashton: Bottoms up!
[Madeline drinks the potion]
Lisle Von Rhoman: Now, a warning.
Madeline Ashton: NOW a warning?
- साउंडट्रैकMe
Written by Geoff Aymar
Lyrics by Martin Donovan & David Koepp
Arranged by William Ross
Performed by Meryl Streep (uncredited)
फीचर्ड रिव्यू
When a woman learns of an immortality treatment, she sees it as a way to outdo her long-time rival.
This film was intended to be a sequel to the "Tales From the Script" television show, and although the TFTC name is not attached, you still get a strong sense of the humor we have come to expect. David Koepp and Martin Donovan (who last worked together on "Apartment Zero") had intended to write a few short films, like an anthology, but this story just grew... and Robert Zemeckis added his own brand of humor, with the dark side of Hollywood bubbling to the surface.
Along with Zemeckis comes some of his associates. That includes Dean Cundey, the cinematographer who started on low budget horror, then made John Carpenter's work look great, before moving on to the high-profile films of Zemeckis. And also producer Steve Starkey, who came up from the "Star Wars" films. Zemeckis is sort of the lesser-celebrated member of a triumvirate with George Lucas and Steven Spielberg, but perhaps he should in many ways be more celebrated... his range and aesthetic are impressive.
There is no denying Robert Zemeckis is really a master of genre. He takes what could be a niche and makes it mainstream. "Back to the Future" is loved by all, not just science fiction nerds. And "Death Becomes Her" could have been horror, but with Zemeckis at the helm it was more mainstream, and is now classified as "fantasy / comedy" -- not even horror at all, despite the themes!
Although Meryl Streep was great (as always), she has said that it "was like being at the dentist" having to work in such a way to accommodate the special effects. She vowed never to work in such a film again, and for the most part I think she has stayed true to this vow. Which brings up an interesting divide between the actors of Streep's level (constant Oscar nominees) and those who appear in genre films again and again. Maybe Oscar acting is not better, but merely employs a different skill set?
Speaking of Oscars, "Death Becomes Her" won the Academy Award for Visual Effects. That is so well-deserved. Anyone who watches this film should be impressed by what they were able to do. Why is it that today (2016) we spend millions of dollars to make things look like animation, but already in 1992 they had perfected a way of making it look like heads were falling off and holes were being blown through people? We are regressing!
Scream Factory comes through with a Collector's Edition blu-ray. Although the features on the disc are a bit scant for a collector's edition, they were able to put together a series of interviews to make a retrospective. Streep and Goldie Hawn did not participate (not surprisingly), but Zemeckis did, which is really quite a coup. And David Koepp! And legendary cinematographer Dean Cundey, who had come with Zemeckis from "Back to Future"! Fans of the film who want to know a bit more about what went into this picture are strongly encouraged to pick it up.
This film was intended to be a sequel to the "Tales From the Script" television show, and although the TFTC name is not attached, you still get a strong sense of the humor we have come to expect. David Koepp and Martin Donovan (who last worked together on "Apartment Zero") had intended to write a few short films, like an anthology, but this story just grew... and Robert Zemeckis added his own brand of humor, with the dark side of Hollywood bubbling to the surface.
Along with Zemeckis comes some of his associates. That includes Dean Cundey, the cinematographer who started on low budget horror, then made John Carpenter's work look great, before moving on to the high-profile films of Zemeckis. And also producer Steve Starkey, who came up from the "Star Wars" films. Zemeckis is sort of the lesser-celebrated member of a triumvirate with George Lucas and Steven Spielberg, but perhaps he should in many ways be more celebrated... his range and aesthetic are impressive.
There is no denying Robert Zemeckis is really a master of genre. He takes what could be a niche and makes it mainstream. "Back to the Future" is loved by all, not just science fiction nerds. And "Death Becomes Her" could have been horror, but with Zemeckis at the helm it was more mainstream, and is now classified as "fantasy / comedy" -- not even horror at all, despite the themes!
Although Meryl Streep was great (as always), she has said that it "was like being at the dentist" having to work in such a way to accommodate the special effects. She vowed never to work in such a film again, and for the most part I think she has stayed true to this vow. Which brings up an interesting divide between the actors of Streep's level (constant Oscar nominees) and those who appear in genre films again and again. Maybe Oscar acting is not better, but merely employs a different skill set?
Speaking of Oscars, "Death Becomes Her" won the Academy Award for Visual Effects. That is so well-deserved. Anyone who watches this film should be impressed by what they were able to do. Why is it that today (2016) we spend millions of dollars to make things look like animation, but already in 1992 they had perfected a way of making it look like heads were falling off and holes were being blown through people? We are regressing!
Scream Factory comes through with a Collector's Edition blu-ray. Although the features on the disc are a bit scant for a collector's edition, they were able to put together a series of interviews to make a retrospective. Streep and Goldie Hawn did not participate (not surprisingly), but Zemeckis did, which is really quite a coup. And David Koepp! And legendary cinematographer Dean Cundey, who had come with Zemeckis from "Back to Future"! Fans of the film who want to know a bit more about what went into this picture are strongly encouraged to pick it up.
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषा
- इस रूप में भी जाना जाता है
- La muerte le sienta bien
- फ़िल्माने की जगहें
- उत्पादन कंपनी
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $5,50,00,000(अनुमानित)
- US और कनाडा में सकल
- $5,84,22,650
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $1,21,10,355
- 2 अग॰ 1992
- दुनिया भर में सकल
- $14,90,22,650
- चलने की अवधि1 घंटा 44 मिनट
- रंग
- ध्वनि मिश्रण
इस पेज में योगदान दें
किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें