अपनी भाषा में प्लॉट जोड़ेंPerched on the hull of a wrecked Soviet freighter, a team of deep-sea miners led by head oceanographer Steven Beck comes face to face with a mutant creature that's the product of a failed ge... सभी पढ़ेंPerched on the hull of a wrecked Soviet freighter, a team of deep-sea miners led by head oceanographer Steven Beck comes face to face with a mutant creature that's the product of a failed genetic experiment.Perched on the hull of a wrecked Soviet freighter, a team of deep-sea miners led by head oceanographer Steven Beck comes face to face with a mutant creature that's the product of a failed genetic experiment.
- पुरस्कार
- 1 जीत और कुल 1 नामांकन
Eugene Lipinski
- Russian Ship Captain
- (as Eugene Lipinsky)
Tom Woodruff Jr.
- Lead Creature
- (बिना क्रेडिट के)
कहानी
क्या आपको पता है
- ट्रिवियाThe experience was an adventure and a joy for Stan Winston and his monster-making team. Not only did they get to live in Rome for four months during filming, and even learn scuba diving, a recreational activity many of them continue to pursue to this day, but they also got to work with a director who was unusually generous with inviting their input. In addition to producing the creature effects, Cosmatos trusted Winston to direct the second unit action sequences. "George Cosmatos always let us take the lead in how to shoot the creature," noted Landon. "He was such a big-hearted person, he would throw up his hands, and say 'I don't know what I'm doing.' He'd just admit it and let us do what we knew how to do. We know what our characters can do and we know the best way to use them. We're thinking about what our characters are going to have to do on the set the entire time we're building them. So we are goldmines of information and knowledge. Some directors recognize that, and really rely on us."
- गूफ़In the scene where the piece of the monster is cut off by the door, the wire that pulls the cut off piece down can be seen.
- भाव
Martin: I realize you must have gone through hell.
Justin Jones: Gone? Bitch, we're still here!
फीचर्ड रिव्यू
I'd been wanting to see "Leviathan" since I had somehow, out of nowhere, heard of it. Negative reviews (from IMDb, FYI) dulled my interests, but finally, I figured what the hell, and as it turned out, this isn't a bad movie.
A deep-sea mining crew, counting down to its last few days (well, first, of their project, and later, of their lives--ouch, that was pretty promo-like, huh?) and, seemingly out of nowhere, one of the crew members becomes infected with an odd sort of skin disease, which may lead back to a small, spider-like sea creature brought on board. In any event, things don't look good, and this disease is apparently something more. Something very deadly. This may also explain the sunken Russian ship they find, with the mysterious captain's log and, well...one thing leads to another, and "Alien"-style fun ensues as members of the small crew are infected or killed (or, in one rather unique case, kill themselves), leading up to a somewhat flat climax, where the film falters.
Indeed, we'll start with that. "Leviathan" has a good amount of build-up. Bores the hell out of some people, but it really isn't boring. (And doesn't take THAT long for the screaming to start, so to speak.) We get to know the characters, and what is going on here, and what is causing this whole fiasco. I, for one, liked that, and liked the way the characters are developed. Peter Weller as the pacifist head honcho, Beck. Richard Crenna as the doctor, Dr. Thompson. Amanda Pays as the requisite tough-but-likably-innocent miner, Willie. Daniel Stern as the slimy Sixpack, and so forth and so on. All in all, a great group of characters. (Loved Ernie Hudson's Jones.) And you don't really want to see them all die. So, when it all goes down, the movie manages to envoke some sympathy for them all.
But once it's time to get into action mode (running around steam-filled corridors, toting a flame-thrower, screaming and hollering and all that fun stuff) the movie doesn't deliver. Sure, the final trio of survivors gets to do their fair share of it, and they do it well. But then it just seems like the ending came too quickly, and there was still more to be milked. Let's look at "Alien" again. (I think it's a prerequisite that anyone who reviews this movie mention that one, too.) In the end, after everyone but Ripley is killed, we get a pretty harrowing thrill ride through the soon-to-be-detonating ship. Sure, it goes to the extent of Ripley going back to get the cat, but it's SCARY! And you're on the edge of your seat the whole time. Here...well, no cat, but the the mining ship was going to implode, due to lack of oxygen. So, what happened to all that drama and suspense? I felt a little cheated. Would have loved to have knocked off the others and left Willie running around doing all that fun stuff, trying to escape before she ran out of air. Instead...well, you get the point.
Since we're talking about characters a little, let's move on to the acting. For the most part, the cast gives a good show. Peter Weller is leading man material, and he pulled it off well. Richard Crenna never gives a downright bad performance, and I liked him here. Loved Amanda Pays's British accent, and she gave a good performance. Would have liked her a little bit more gun-ho, though, she seemed to need some saving a little too much. Daniel Stern has a surprisingly smaller role, considering his billing, but he does well with what he has to do. Ernie Hudson is a dependable actor, and you can always trust him to give a great performance. Here, he does it again. I really liked his character, he was probably the one I liked the most of them all. Another great actor is Hector Elizondo, and here he gives another very Hector Elizondo performance, and he does a great job. Lisa Eilbacher also gave a great performance, and I really liked her. Michael Carmine may have seemed a bit like the "we'll think of a character later" Hispanic, but I thought he did quite well, too. Last but not least, Meg Foster, who actually only appears on a television communicating with Beck (she sent them all down there) and a little bit in the end, but, well...she's got the most amazing eyes I've ever seen, and that's the most I could say for her.
The special effects are excellent, and with all this CGI crap we have today, its great to see these "genuine" effects, and they look great.
Overall, the movie isn't bad. It sustains a good amount of suspense in parts, and George P. Cosmatos can handle a swift action scene quite well. Check out "Cassandra Crossing" (the only other Cosmatos movie I've seen--I'll be sure to check out more), it's very Italian but it's a pretty good 70s disaster flick of his. The Jerry Goldsmith score is good, too. Not "The Omen" good, but he never fails to give a pretty rousing score.
So, in the end, "Leviathan" ain't bad. Try the much frowned-upon "Sphere" (I liked it) or "The Abyss" for similiar fun. Enjoy.
A deep-sea mining crew, counting down to its last few days (well, first, of their project, and later, of their lives--ouch, that was pretty promo-like, huh?) and, seemingly out of nowhere, one of the crew members becomes infected with an odd sort of skin disease, which may lead back to a small, spider-like sea creature brought on board. In any event, things don't look good, and this disease is apparently something more. Something very deadly. This may also explain the sunken Russian ship they find, with the mysterious captain's log and, well...one thing leads to another, and "Alien"-style fun ensues as members of the small crew are infected or killed (or, in one rather unique case, kill themselves), leading up to a somewhat flat climax, where the film falters.
Indeed, we'll start with that. "Leviathan" has a good amount of build-up. Bores the hell out of some people, but it really isn't boring. (And doesn't take THAT long for the screaming to start, so to speak.) We get to know the characters, and what is going on here, and what is causing this whole fiasco. I, for one, liked that, and liked the way the characters are developed. Peter Weller as the pacifist head honcho, Beck. Richard Crenna as the doctor, Dr. Thompson. Amanda Pays as the requisite tough-but-likably-innocent miner, Willie. Daniel Stern as the slimy Sixpack, and so forth and so on. All in all, a great group of characters. (Loved Ernie Hudson's Jones.) And you don't really want to see them all die. So, when it all goes down, the movie manages to envoke some sympathy for them all.
But once it's time to get into action mode (running around steam-filled corridors, toting a flame-thrower, screaming and hollering and all that fun stuff) the movie doesn't deliver. Sure, the final trio of survivors gets to do their fair share of it, and they do it well. But then it just seems like the ending came too quickly, and there was still more to be milked. Let's look at "Alien" again. (I think it's a prerequisite that anyone who reviews this movie mention that one, too.) In the end, after everyone but Ripley is killed, we get a pretty harrowing thrill ride through the soon-to-be-detonating ship. Sure, it goes to the extent of Ripley going back to get the cat, but it's SCARY! And you're on the edge of your seat the whole time. Here...well, no cat, but the the mining ship was going to implode, due to lack of oxygen. So, what happened to all that drama and suspense? I felt a little cheated. Would have loved to have knocked off the others and left Willie running around doing all that fun stuff, trying to escape before she ran out of air. Instead...well, you get the point.
Since we're talking about characters a little, let's move on to the acting. For the most part, the cast gives a good show. Peter Weller is leading man material, and he pulled it off well. Richard Crenna never gives a downright bad performance, and I liked him here. Loved Amanda Pays's British accent, and she gave a good performance. Would have liked her a little bit more gun-ho, though, she seemed to need some saving a little too much. Daniel Stern has a surprisingly smaller role, considering his billing, but he does well with what he has to do. Ernie Hudson is a dependable actor, and you can always trust him to give a great performance. Here, he does it again. I really liked his character, he was probably the one I liked the most of them all. Another great actor is Hector Elizondo, and here he gives another very Hector Elizondo performance, and he does a great job. Lisa Eilbacher also gave a great performance, and I really liked her. Michael Carmine may have seemed a bit like the "we'll think of a character later" Hispanic, but I thought he did quite well, too. Last but not least, Meg Foster, who actually only appears on a television communicating with Beck (she sent them all down there) and a little bit in the end, but, well...she's got the most amazing eyes I've ever seen, and that's the most I could say for her.
The special effects are excellent, and with all this CGI crap we have today, its great to see these "genuine" effects, and they look great.
Overall, the movie isn't bad. It sustains a good amount of suspense in parts, and George P. Cosmatos can handle a swift action scene quite well. Check out "Cassandra Crossing" (the only other Cosmatos movie I've seen--I'll be sure to check out more), it's very Italian but it's a pretty good 70s disaster flick of his. The Jerry Goldsmith score is good, too. Not "The Omen" good, but he never fails to give a pretty rousing score.
So, in the end, "Leviathan" ain't bad. Try the much frowned-upon "Sphere" (I liked it) or "The Abyss" for similiar fun. Enjoy.
- WritnGuy-2
- 22 मई 2001
- परमालिंक
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Leviathan?Alexa द्वारा संचालित
विवरण
बॉक्स ऑफ़िस
- बजट
- $2,50,00,000(अनुमानित)
- US और कनाडा में सकल
- $1,57,04,614
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $50,29,164
- 19 मार्च 1989
- दुनिया भर में सकल
- $1,57,04,614
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