Khud-Daar

1982
2 घं 49 मि

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आपकी रेटिंग

Amitabh Bachchan, Parveen Babi, and Sanjeev Kumar in Khud-Daar (1982)

हरि को सीमा से शादी करने के लिए मजबूर किया जाता है, जो उसके सौतेले भाई, गोविंद और राजेश को नापसंद करती है. जब वह मुंबई जाता है, तब वह उन्हें भिखारी बना देती है. लेकिन नियति उसे हरि के साथ एक... सभी पढ़ेंहरि को सीमा से शादी करने के लिए मजबूर किया जाता है, जो उसके सौतेले भाई, गोविंद और राजेश को नापसंद करती है. जब वह मुंबई जाता है, तब वह उन्हें भिखारी बना देती है. लेकिन नियति उसे हरि के साथ एक कटघरे में खड़ा कर देती है.हरि को सीमा से शादी करने के लिए मजबूर किया जाता है, जो उसके सौतेले भाई, गोविंद और राजेश को नापसंद करती है. जब वह मुंबई जाता है, तब वह उन्हें भिखारी बना देती है. लेकिन नियति उसे हरि के साथ एक कटघरे में खड़ा कर देती है.

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IMDb रेटिंग

6.6/10

499

आपकी रेटिंग

11यूज़र समीक्षाएं

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फ़ोटो5

इस तरह के और

7.2

7.0

6.3

7.1

6.7

7.6

6.6

7.3

6.3

7.0

7.2

7.6

कहानी

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क्या आपको पता है

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ट्रिविया
Kishore Kumar and Lata Mangeshkar were the only plaback singers of this film. This is the first and last film which had story, screenplay & dialoges by Kader Khan. In 1982 after this film, Kader Khan was going to make debut as director with a film tittled. Jahiil, staring Amitabh Bachchan & Jaya Pradha and the film was to be written, produced & directed by Kader Khan with music by Kalyanji-Anandji and this film was to start after Coolie and Kader Khan had already made arrangements to start shooting, as Amitabh was to start shooting after completing the shooting of Coolie in Banglore, but then the. Coolie accident and. Jahiil was not made.

गूफ़
Prem Chopra has a gun in a courtroom in the end also Amitabh finds his taxi outside the court when he was taken to the court by Police Jeep.

कनेक्शन
Referenced in Jambo Cinema (2020)

उपयोगकर्ता समीक्षाएं11

फीचर्ड रिव्यू

8/10

Khud-daar

Hari is forced to marry Seema, who dislikes his stepbrothers, Govind and Rajesh. When he goes to Mumbai, she displaces them to become beggars. However, destiny reunites them with Hari in a courtroom.

A lesser known Bachchan entry when compared to Deewar, Sholay etc., but not any less entertaining than the ones released in his heyday. Between 1974 and 1983 Amitabh was a force to reckon, and was setting the box office on fire with his fabulous screen presence, superb dialogue and style, and he does the same here in this entertaining film that has a winning formula of an engaging story, good songs, fights, comedy and intrigue in the courtroom. The other cast members do fine as well, so does Basanti the taxi car!