El karate el Colt y el impostor

This obscure, genre-blending Spaghetti Western is hammy and fun, but fails at being very exciting. Nonetheless, it wins points for originality, and the picture is rife with interesting characters and happenings. The print is surprisingly good, considering the film's age and obscurity, and fans of more lighthearted Spaghetti Westerns should be pleased. Lee Van Cleef is star material here, and he hamms it up more in "Blood Money" than anywhere else I've seen. This really is a different performance by Van Cleef, and he lets loose a refreshing side of himself that fans should enjoy. Directed by personal fave Antonio Marghereti, (with help from the Shaw Brothers), "Blood Money" was essentially an exercise in blending a Kung Fu film with a Spaghetti Western, and while the result is still a Eurowestern, the martial arts exchanges and Eastern characters prove amply refreshing. Overall, "Blood Money" is pretty solid, although a bit sloppy, and it reaches a comfortable medium between strangeness and familiarity. The story involves Van Cleef, a safecracker, becoming intertwined in the story of a deceased Chinese aristocrat and his missing estate. After escaping the gallows, Cleef teams up with the Chinese man's nephew, and the two begin their search for the uncle's missing gold. Luckily, the dead man tattooed clues to his riches on the tails of four women, and the unlikely pair must see each girl to unravel the mystery. There were a few parts that dragged, but only briefly, and we left the movie feeling pretty good. This is a solid, if offbeat, comedic Spaghetti Western. ---|--- Reviews by Flak Magnet