One + One

1968
Not Rated
1 घं 51 मि

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अपनी भाषा में प्लॉट जोड़ेंWhile The Rolling Stones rehearse "Sympathy for the Devil" in the studio, Godard reflects on 1968 society, politics and culture through five different vignettes.While The Rolling Stones rehearse "Sympathy for the Devil" in the studio, Godard reflects on 1968 society, politics and culture through five different vignettes.While The Rolling Stones rehearse "Sympathy for the Devil" in the studio, Godard reflects on 1968 society, politics and culture through five different vignettes.

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6.2/10

3.4 हज़ार

आपकी रेटिंग

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फ़ोटो9

+ 2

इस तरह के और

6.2

Made in USA

7.1

Une femme mariée: Suite de fragments d'un film tourné en 1964

6.9

6.5

6.2

6.2

5.8

7.1

6.0

5.4

Un film comme les autres

6.5

Sauve qui peut (la vie)

6.7

Les carabiniers

कहानी

बदलाव करें

क्या आपको पता है

बदलाव करें

ट्रिविया
The producer of the film added film of The Rolling Stones performing the completed version of "Sympathy for the Devil" at the end of the movie in an attempt to make it more commercial. Jean-Luc Godard was so incensed by this that he punched the producer during a talk at London's National Film Theatre.

इसके अलावा अन्य वर्जन
Jean-Luc Godard's original director's cut (titled "One Plus One") runs approximately 110 minutes and consists largely of additional footage of the black power militants. The film's producers were dissatisfied with this cut and deleted 11 minutes, changed the title to "Sympathy for the Devil" to underscore the Stones connection, and added the final version of the title song to the film's soundtrack, over a freeze-frame of the last shot. These changes were all made without Godard's knowledge; when he finally saw them at the film's London Film Festival premiere, he allgedly went berserk and physically attacked one of the producers.

कनेक्शन
Edited into Histoire(s) du cinéma: Une vague nouvelle (1999)

उपयोगकर्ता समीक्षाएं40

समीक्षा करें

फीचर्ड रिव्यू

cinemarx

In Bergsonian terms, "Sympathy" or "1+1" seems to represent the cinematographical spirit of Becoming; while deconstructing the perfect rock song (though Blood on the Tracks-era Dylan fans may want to disagree), "Sympathy for the Devil" never actually plays at any time in its totality. Mick and friends conceive of the song while sitting in a semi-circle, and perfect it months later via the same seating arrangement amidst acres of sound equipment. Meanwhile, Godard's full synthesis of his cinema of ideological engagement(s) (cinemarx) is projected while we're still wondering why the girls dressed in white are being executed, the bookstore owner makes customers give him him a Third Reich salute or why there aren't any drummers as cool as Charlie Watts anymore.