Good if not great as biker cinema goes, "Hells Angels on Wheels" had the legendary Angel Sonny Barger as its technical adviser, making it supposedly more true to life than other depictions of the notorious motorcycle gang, although the word "supposedly" will need to be stressed. The movie has a few elements that manage to make it a must see, but these don't have much to do with the story, which is thin and has an episodic nature. Jack Nicholson, the obvious breakout star, is prominently featured as a gas station attendant who captures the attention of a bunch of Angels and earns their respect. He's voted in as a member, but he finds that their wild way of life is a little too much for him. They like to promote themselves as fun loving rebels, but they possess decidedly more edge than that, and are not above murder. Nicholsons' character, who gets nick named "Poet", also does not like the way that they pass their women around, especially as he falls for Shill (Sabrina Scharf), who is ordinarily the main squeeze of this packs' leader, the charismatic Buddy (Adam Roarke). Despite Nicholsons' presence and performance, Roarke really is the one to watch here, doing an engaging job of creating a memorable character. A couple of familiar faces fill out the supporting and bit parts: John Garwood, Jack Starrett, Gary Littlejohn, and Bruno VeSota, with directors Bob Kelljan and John "Bud" Cardos also appearing. This is exciting at times, with the expected number of fight scenes, as well as some filler / montage sequences, and music that is very much of the time. The movie isn't helped, however, by an abrupt and unsatisfying ending. If one is interested, they can check out other biker pictures from producer Joe Solomon such as "Angels from Hell", "Run, Angel, Run!", "The Losers", and "Werewolves on Wheels". Director Richard Rush would also direct Nicholson in "Psych-Out", and of course would go on to great fame as director of the cult favourite "The Stunt Man" (in which he again worked with Roarke). One can also note the stylish and colourful cinematography by Laszlo Kovacs, who's billed as Leslie Kovacs. Overall, not bad, and a cult film worth a look. Seven out of 10.
