Die bitteren Tränen der Petra von Kant

1972
Not Rated
2 घं 4 मि

IMDb रेटिंग

7.5/10

12 हज़ार

आपकी रेटिंग

Margit Carstensen and Hanna Schygulla in Die bitteren Tränen der Petra von Kant (1972)

clip प्ले करें1:10

The Bitter Tears Of Petra Von Kant: I Don't Regret It (US) देखें

1 वीडियो

99+ फ़ोटो

Psychological Drama Drama Romance

एक सफल फैशन डिजाइनर एक खूबसूरत युवती के प्रेम के लिए अपनी प्रताडन प्रिय महिला सहायक के साथ रिश्ता तोड़ देती है.एक सफल फैशन डिजाइनर एक खूबसूरत युवती के प्रेम के लिए अपनी प्रताडन प्रिय महिला सहायक के साथ रिश्ता तोड़ देती है.एक सफल फैशन डिजाइनर एक खूबसूरत युवती के प्रेम के लिए अपनी प्रताडन प्रिय महिला सहायक के साथ रिश्ता तोड़ देती है.

IMDbPro पर प्रोडक्शन की जानकारी देखें

IMDb रेटिंग

7.5/10

12 हज़ार

आपकी रेटिंग

IMDbPro पर प्रोडक्शन की जानकारी देखें

पुरस्कार
- 3 जीत और कुल 3 नामांकन

ट्रिविया
Rainer Werner Fassbinder wrote the entire screenplay for the film by hand during a single 12-hour flight from Berlin to Los Angeles.

भाव
Petra von Kant: I think people need each other, they're made that way. But they haven't learnt how to live together.

क्रेज़ी क्रेडिट
Follows Opening Film Title: "Gewidmet dem, der hier Marlene wurde (Dedicated to the one who became Marlene here)."

कनेक्शन
Featured in Fassbinder in Hollywood (2002)

साउंडट्रैक
The Great Pretender
Written by Buck Ram
Performed by The Platters

उपयोगकर्ता समीक्षाएं40

समीक्षा करें

फीचर्ड रिव्यू

7/10

German Emotions

Petra von Kant is a successful fashion designer -- arrogant, caustic, and self-satisfied. She mistreats Marlene (her secretary, maid, and co-designer). Enter Karin, a 23-year-old beauty who wants to be a model. Petra falls in love with Karin and invites her to move in.

Criterion has released the film and calls to our attention the "claustrophobic cinematography". Indeed, how can it be anything other than claustrophobic when we never leave the room? Much of the two hours takes place in a bed, with little beyond. This is quite a minimalism, and suggests the film is based on a stage play.

Fassbinder is known for his modern German interpretations of Douglas Sirk. This is one of his Sirk-inspired works. Maybe not his best, though that is all in the eye of the beholder. A second viewing may change my opinion on the matter.