The Comic

1969
M/PG
1 घं 34 मि

IMDb रेटिंग

आपकी रेटिंग

एक शानदार मूक-फिल्म कॉमिक की कहानी जिसकी प्रतिभा उसके अहंकार पर भारी पड़ती है.एक शानदार मूक-फिल्म कॉमिक की कहानी जिसकी प्रतिभा उसके अहंकार पर भारी पड़ती है.एक शानदार मूक-फिल्म कॉमिक की कहानी जिसकी प्रतिभा उसके अहंकार पर भारी पड़ती है.

IMDbPro पर प्रोडक्शन की जानकारी देखें

IMDb रेटिंग

6.4/10

975

आपकी रेटिंग

IMDbPro पर प्रोडक्शन की जानकारी देखें

फ़ोटो15

+ 8

इस तरह के और

6.4

The Midnight Man

7.2

Love with the Proper Stranger

6.2

6.9

6.6

6.6

7.2

6.2

7.0

7.1

7.1

The Taming of the Shrew

7.6

The Prime of Miss Jean Brodie

कहानी

बदलाव करें

क्या आपको पता है

बदलाव करें

ट्रिविया
While starring in The Dick Van Dyke Show (1961), Van Dyke called up Stan Laurel to ask for permission to do a Laurel & Hardy bit in an episode. Laurel told him that neither he nor Hardy's heirs owned the rights to the characters. Van Dyke and Reiner were horrified that Laurel didn't even own the rights to his own face, and this picture is the result.

गूफ़
When Billy and Cockeye are walking along the Hollywood Walk of Fame, they are on Vine Street near the intersection of Selma Avenue. However, the stars' markers they point out are not in a row, or even near each other at that location.

भाव
[first lines]
Passerby at Billy's Funeral: Who checked out?
Hearse Driver: An old-time movie actor.
Passerby at Billy's Funeral: What's his name?
Hearse Driver: Billy Bright.
Passerby at Billy's Funeral: Billy Bright? Billy Bright?
Hearse Driver: Yeah, he was... back in the silent movies.
Passerby at Billy's Funeral: Oh, Billy Bright! I thought he was dead?

कनेक्शन
Features The Best Mouse Loses (1920)

साउंडट्रैक
Yes! We Have No Bananas
Written by Frank Silver and Irving Cohn
Performed by Dick Van Dyke
Briefly sung by Billy Bright in voiceover and used as a leitmotif throughout the film

उपयोगकर्ता समीक्षाएं40

समीक्षा करें

फीचर्ड रिव्यू

8/10

Reiner and Van Dyke at their non-TV best

Brilliantly realized tragicomedy in a Citizen Kane framework, obviously based on Buster Keaton. A tour de force for Dick Van Dyke, whose film work was inconsistent at best. But he nails Billy Bright from word one, and Carl Reiner's concise script gives him room to run. Reiner's no slouch, either; check the restaurant meeting for some biting wit on the Let's Do Lunch mentality. A boxoffice flop in '69-'70, tossed away on the lower half of double bills, or sent directly to subrun houses, this is a semi-classic that should be seen by all who love, or study, films.