Bob & Carol & Ted & Alice

1969
R
1 घं 45 मि

IMDb रेटिंग

6.7/10

7.6 हज़ार

आपकी रेटिंग

trailer प्ले करें2:27

1 वीडियो

99+ फ़ोटो

Satire Comedy Drama Romance

अपनी भाषा में प्लॉट जोड़ेंTrendy West Coasters Bob and Carol are determined to embrace complete openness after a weekend of emotional honesty at a retreat.Trendy West Coasters Bob and Carol are determined to embrace complete openness after a weekend of emotional honesty at a retreat.Trendy West Coasters Bob and Carol are determined to embrace complete openness after a weekend of emotional honesty at a retreat.

IMDbPro पर प्रोडक्शन की जानकारी देखें

IMDb रेटिंग

6.7/10

7.6 हज़ार

आपकी रेटिंग

IMDbPro पर प्रोडक्शन की जानकारी देखें

4 ऑस्कर के लिए नामांकित
- 4 जीत और कुल 12 नामांकन

वीडियो1

Trailer 2:27

Bob & Carol & Ted & Alice

फ़ोटो132

+ 124

इस तरह के और

7.0

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7.2

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5.0

Bob & Carol & Ted & Alice

7.7

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7.3

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6.3

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6.4

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7.6

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6.9

Carnal Knowledge

कहानी

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क्या आपको पता है

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ट्रिविया
Natalie Wood's first movie in three years. It could have been her comeback, but she did not capitalize on its success at all. Shot in the fall of 1968, this would be Wood's last acting job for almost five years, until the summer of 1973, when she worked on a made-for-television film called The Affair (1973). She didn't make another feature until Peeper (1975), a gap of six years. Wood more or less retired after Penelope (1966), when she was just 28.

गूफ़
When Ted is in the pool talking to Bob, he says "I called home to make sure the kids were okay," using the plural "kids" - but they only have one child.

भाव
Ted Henderson: First, we'll have an orgy. Then we'll go see Tony Bennett.

कनेक्शन
Featured in Words (1987)

साउंडट्रैक
What the World Needs Now Is Love
by Hal David and Burt Bacharach
Vocal by Jackie DeShannon
Courtesy of Liberty Records, Inc.

उपयोगकर्ता समीक्षाएं80

समीक्षा करें

फीचर्ड रिव्यू

9/10

This movie holds up!

I rented this movie because I remembered one scene from 35 years ago. I was astounded to see that the whole movie holds up very well. The 4 leads are terrific (Natalie Wood and Dyan Canon are beautiful, by the way, and Robert Culp hits just the right note with his "sensitive-new- age-guy" hip/naive performance) and you can see director Paul Mazursky's touch with what seems to be stretches of impromptu dialog I found true.

The movie also does a great job of balancing drama with farce, superficiality with intimacy.

The scenes at the Esalen-type retreat start at as spoof but evolve into real empathy. Parenthetically, check out the fashions in this film. There is one scene in a discotheque that Mazursky must have known even then would be a source of laughter and certainly, today, it's a hoot.