Compulsion

1959
Approved
1 घं 43 मि

IMDb रेटिंग

7.4/10

7.9 हज़ार

आपकी रेटिंग

Dean Stockwell and Bradford Dillman in Compulsion (1959)

Trailer for this film based on the best selling novel

trailer प्ले करें2:27

1 वीडियो

99+ फ़ोटो

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लियोपोल्ड-लोएब मामले के इस रूप में हत्या के लिए दो धनी कानून-स्कूल के छात्रों की सुनवाई की जाती है.लियोपोल्ड-लोएब मामले के इस रूप में हत्या के लिए दो धनी कानून-स्कूल के छात्रों की सुनवाई की जाती है.लियोपोल्ड-लोएब मामले के इस रूप में हत्या के लिए दो धनी कानून-स्कूल के छात्रों की सुनवाई की जाती है.

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IMDb रेटिंग

7.4/10

7.9 हज़ार

आपकी रेटिंग

IMDbPro पर प्रोडक्शन की जानकारी देखें

1 BAFTA अवार्ड के लिए नामांकित
- 1 जीत और कुल 5 नामांकन

Reporter
(बिना क्रेडिट के)

Don Anderson

Reporter
(बिना क्रेडिट के)

Brandon Beach

Courtroom Spectator
(बिना क्रेडिट के)

Terry Becker

Benson - The Angry Reporter
(बिना क्रेडिट के)

Russ Bender

Edgar Llewellyn - Attorney
(बिना क्रेडिट के)

निर्देशक
- Richard Fleischer
लेखक
- Richard Murphy
- Meyer Levin
सभी कास्ट और क्रू
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इस तरह के और

7.3

The Stranger

7.5

Come Back, Little Sheba

6.4

7.4

7.7

7.3

6.6

7.7

7.4

Odds Against Tomorrow

6.9

The House on Telegraph Hill

3.8

Compulsion

6.6

Crack in the Mirror

कहानी

बदलाव करें

क्या आपको पता है

बदलाव करें

ट्रिविया
Although the story was a thinly-disguised recreation of the Nathan Leopold and Richard Loeb murder case, the legal department of 20th Century Fox was still concerned about a possible lawsuit from the still-living Leopold. A great effort was made not to mention Leopold or Loeb in the movie, press releases, and interviews. However, there was apparently poor communication with the advertising department, since when the movie came out, newspaper ads stated, "based on the famous Leopold and Loeb murder case." Leopold sued the filmmakers. He did not claim libel, slander, nor anything false nor defamatory about the film. Instead, he claimed an invasion of privacy. The court rejected his claim, in part, because Leopold had already published his own autobiography "Life Plus 99 Years," presenting essentially the same facts.

गूफ़
When the murdered boy is in the morgue, his uncle recognizes him instantly, and the coroner doesn't mention to the young journalist (who found the glasses) that the kid had acid burned all over his face so he couldn't be identified. In the real life case, his face was burned and, most importantly, at the very end of the movie, Orson Welles as the defending attorney mentions that the murdered boy's face was burned with acid.

भाव
Jonathan Wilk: If there is any way of destroying hatred and all that goes with it, it's not through evil and hatred and cruelty, but through charity, love, understanding.

क्रेज़ी क्रेडिट
Opening credits prologue: CHICAGO, 1924

कनेक्शन
Featured in The Paper Chase: Commitments (1983)

उपयोगकर्ता समीक्षाएं97

समीक्षा करें

फीचर्ड रिव्यू

9/10

Mesmerized by Dean Stockwell

I don't know why I'm so attracted to this vulnerable weirdos. From Anthony Perkins as Norman Bates in Psycho to Colin Firth as Adrian Leduc in Apartment Zero, darkness and a fragility that is part of the unbearable suspense. Maybe I'm in need of professional attention but I don't think so. What attracts me is by the undeniable innocence behind the horror and that has a lot, if not everything, to do with the actors playing them. Look at Anthony Perkins in Psycho! 57 years ago and it still looks and feels kind of revolutionary or Colin Firth in Apartment Zero, the character is so unique and real that you can see it a thousand times and always find some new extra something, then Dean Stockwell in Compulsion. He plays a monster, a sick, pathetic prince of a man. Yes all of that. The humanity of the actor makes the monster human and we can't dismiss him, he doesn't allow us. Orson Welles has a great entrance into the film and E.G Marshall is superb as per usual, it is the rest of the cast who seem a bit dated, specially when sharing the frame with the extraordinary Dean Stockwell