IMDb रेटिंग
7.0/10
9.7 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंSurprised that their contract victim didn't try to run away from them, two professional hit men try to find out who hired them and why.Surprised that their contract victim didn't try to run away from them, two professional hit men try to find out who hired them and why.Surprised that their contract victim didn't try to run away from them, two professional hit men try to find out who hired them and why.
- 1 BAFTA अवार्ड जीते गए
- 1 जीत और कुल 1 नामांकन
Irvin Mosley Jr.
- Mail Truck Guard
- (as Irvin Mosley)
कहानी
क्या आपको पता है
- ट्रिवियाAccording to Don Siegel, it was the policy at "Universal" at the time to shoot the last scene of the film first. On that first day of filming, according to Siegel and Clu Gulager, Lee Marvin arrived late and had been drinking, but because he had no dialogue, the scenes were used as shot.
- गूफ़At the start of the race, Johnny presses the accelerator to the floorboard with his right foot. However, his left foot is nowhere near the clutch. In a manual transmission, the clutch would need to be released while simultaneously accelerating.
- भाव
Charlie Strom: Lady, I don't have the time.
- क्रेज़ी क्रेडिटThe style of the film's credits reflects its original made-for-TV origins: in 1960s TV movies, Stars, Co-stars, and Featured Players were listed only in the opening credits, while supporting players were listed only in the closing credits.
- कनेक्शनFeatured in Biography: Angie Dickinson: Tinseltown's Classiest Broad (1999)
- साउंडट्रैकToo Little Time
Music by Henry Mancini
Lyrics by Don Raye
Sung by Nancy Wilson
[Johnny and Sheila dance to the song performed at the nightclub]
फीचर्ड रिव्यू
I haven't seen Robert Siodmark's 1946 original, but since it's generally accepted to be better than this version; I sure want to see it! Second best, this may be, but that's certainly not to say that this isn't an excellent flick. Lee Marvin steps into the role of a hit-man brilliantly, and his no-nonsense performance really makes the film. He is joined by Clu Gulager as his fellow hit-man and partner into an investigation that comes about through Marvin as he wonders why he was paid so much to kill a former race car driver, who also didn't run away when he had the chance. What follows is a tour de force of gangster pulp fiction as the two hit men pay little visits to the various players in the plot behind the assassination they were contracted to commit. The style of the movie is delicious, and watching these two men stroll around coolly in their expensive suits while interrogating their various victims is a treat indeed. Several modern films, Pulp Fiction most obviously, have taken a lot of influence from this flick and it's always good to know where that influence came from.
The central pairing of Lee Marvin and Clu Gulager is what made the film for me. The way that they populate their scenes is excellent, with one of them doing the talking and the other fiddling around in the background. The way that this is orchestrated gives away a very understated coolness, which the film is always keen to capitalise on. The pair's chemistry is more to do with the style and how they look together than how they interact with each other; and that is right on cue. The Killers also benefits from an excellent support cast, which includes the likes of Ronald Reagan, Angie Dickinson and John Cassavetes. This film can't be considered noir because it's in colour, but this is about as close as you can get to the style without actually being a part of it. The film that it was based on was film noir, and this remake has managed to retain the foundations, even if it has lost the dark picture. On the whole, The Killers is an excellent picture and while what some people say about it being second to the original may be withstanding; I say this is an excellent flick in it's own right.
The central pairing of Lee Marvin and Clu Gulager is what made the film for me. The way that they populate their scenes is excellent, with one of them doing the talking and the other fiddling around in the background. The way that this is orchestrated gives away a very understated coolness, which the film is always keen to capitalise on. The pair's chemistry is more to do with the style and how they look together than how they interact with each other; and that is right on cue. The Killers also benefits from an excellent support cast, which includes the likes of Ronald Reagan, Angie Dickinson and John Cassavetes. This film can't be considered noir because it's in colour, but this is about as close as you can get to the style without actually being a part of it. The film that it was based on was film noir, and this remake has managed to retain the foundations, even if it has lost the dark picture. On the whole, The Killers is an excellent picture and while what some people say about it being second to the original may be withstanding; I say this is an excellent flick in it's own right.
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषा
- इस रूप में भी जाना जाता है
- Ernest Hemingway's The Killers
- फ़िल्माने की जगहें
- उत्पादन कंपनी
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $7,50,000(अनुमानित)
- दुनिया भर में सकल
- $9,261
- चलने की अवधि1 घंटा 33 मिनट
- रंग
- पक्ष अनुपात
- 1.85 : 1
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