अपनी भाषा में प्लॉट जोड़ेंAnthology of excerpts from Marilyn Monroe's 20th Century-Fox output, narrated by Rock Hudson, and created as a cinematic eulogy to Monroe, who died the year before.Anthology of excerpts from Marilyn Monroe's 20th Century-Fox output, narrated by Rock Hudson, and created as a cinematic eulogy to Monroe, who died the year before.Anthology of excerpts from Marilyn Monroe's 20th Century-Fox output, narrated by Rock Hudson, and created as a cinematic eulogy to Monroe, who died the year before.
Marilyn Monroe
- Self
- (आर्काइव फ़ूटेज)
Lauren Bacall
- Schatze Page
- (आर्काइव फ़ूटेज)
- (बिना क्रेडिट के)
Anne Baxter
- Kit Dodge Jr.
- (आर्काइव फ़ूटेज)
- (बिना क्रेडिट के)
- …
Cyd Charisse
- Self
- (आर्काइव फ़ूटेज)
- (बिना क्रेडिट के)
- …
Charles Coburn
- Sir Francis 'Piggy' Beekman
- (आर्काइव फ़ूटेज)
- (बिना क्रेडिट के)
Wally Cox
- Self (scene from "Something's Got to Give")
- (आर्काइव फ़ूटेज)
- (बिना क्रेडिट के)
Dan Dailey
- Self
- (आर्काइव फ़ूटेज)
- (बिना क्रेडिट के)
- …
Tom Ewell
- Self (scene from "The Seven Year Itch")
- (आर्काइव फ़ूटेज)
- (बिना क्रेडिट के)
Betty Field
- Self (scene from "Bus Stop")
- (आर्काइव फ़ूटेज)
- (बिना क्रेडिट के)
Mitzi Gaynor
- Katy Donahue
- (आर्काइव फ़ूटेज)
- (बिना क्रेडिट के)
Betty Grable
- Self
- (आर्काइव फ़ूटेज)
- (बिना क्रेडिट के)
- …
June Haver
- Self (scene from "Love Nest")
- (आर्काइव फ़ूटेज)
- (बिना क्रेडिट के)
Celeste Holm
- Karen
- (आर्काइव फ़ूटेज)
- (बिना क्रेडिट के)
Hope Lange
- Self (scene from "Bus Stop")
- (आर्काइव फ़ूटेज)
- (बिना क्रेडिट के)
William Lundigan
- Self (scene from "Love Nest")
- (आर्काइव फ़ूटेज)
- (बिना क्रेडिट के)
Dean Martin
- Self
- (आर्काइव फ़ूटेज)
- (बिना क्रेडिट के)
- …
Ethel Merman
- Self (scene from "There's No Business Like Show Business")
- (आर्काइव फ़ूटेज)
- (बिना क्रेडिट के)
कहानी
क्या आपको पता है
- ट्रिवियाFor almost 3 decades, this documentary contained all the clips from the unfinished film "Something's Got To Give" the public saw. It was said the film was 'unwatchable,' Marilyn's scenes were 'terrible,' and the colour had faded from the negatives. The only one of these true was the last - the colour had degenerated over time. One reason the film was kept from public view, was so it would go along with 20th Century Fox's long-held (fabricated) story of Marilyn being the (sole) cause of the film being shut down. In actual fact, Marilyn had been rehired by Fox - several days before her passing - at terms which were much fairer to an actor of her magnitude, and would also be the concluding film in Marilyn's Fox contract. Tragically, this film, never was, the truth was withheld for decades.
- इसके अलावा अन्य वर्जनAlternate prints run 94 minutes, including additional sequences from There's No Business Like Show Business (1954), Bus Stop (1956) and Let's Make Love (1960).
- कनेक्शनFeatures A Ticket to Tomahawk (1950)
फीचर्ड रिव्यू
Ohhhhhh. drat.
Yes, folks, I am astounded this excellent doco has been so neglected and forgotten as to not be available on video or DVD ...and incredibly not commented upon or reviewed on the IMDb. I can't be the only person in 2005 who knows this exists. Anyway, here's the info: made in 1963 as a Marilyn Monroe - Fox release to take the place of SOMETHING'S GOTTA GIVE which, as we all know was scrapped adding to her demise. Fox filled in the schedule blank (and mopped up as much MM sympathy cash as possible) by creating this 90 minute documentary with intros and links shot in cinema-scope on a blank stage with Rock Hudson narrating the clips from all her Fox films. It looks a lot like the format used later in THAT'S ENTERTAINMENT PART 2 with ladders and spotlights and studio bits for the narrator to wander through before various scenes or musical numbers are presented. Those films with sequences originally shot in 1.33 are presented as such in center frame and the cinema-scope clips fill the whole screen. I have also just discovered thanks to Box office Bill on the Roxy page on the Cinema Treasures site that in 1952, the "Diamonds Are A Girl's Best Friend" song number was shot in two formats: the 1.33 look as released in the feature GENTLEMEN PREFER BLONDES and an experimental cinema-scope version which sat in the vault until it was (now) possibly used as the finale for this c/s doco. I remember showing MARILYN at my cinema in the 70s and 80s and remarking how good this sequence looked in cinema-scope, thinking it was a cropped version of the 1.33. Well, not the case and there is the truth of it. Very good. Thankyou Box office Bill. So it was used eventually, but in a sad celebration. Apart from all this, MARILYN is an excellent doco and today more so as it compiles all the best Fox bits as a stand alone feature. Fox should rediscover their own excellent compilation feature here and get it out into stores on DVD tomorrow! Now if we can get FOX to do the same style of doco with "a celebration of Cinemascope" and a "Fabulous Foxes" and a "Technicolour Two hours" compilation we would sing their praises, instead of moaning the vault is locked. Start with MARILYN. This documentary is a major discovery for anyone in any century.
Yes, folks, I am astounded this excellent doco has been so neglected and forgotten as to not be available on video or DVD ...and incredibly not commented upon or reviewed on the IMDb. I can't be the only person in 2005 who knows this exists. Anyway, here's the info: made in 1963 as a Marilyn Monroe - Fox release to take the place of SOMETHING'S GOTTA GIVE which, as we all know was scrapped adding to her demise. Fox filled in the schedule blank (and mopped up as much MM sympathy cash as possible) by creating this 90 minute documentary with intros and links shot in cinema-scope on a blank stage with Rock Hudson narrating the clips from all her Fox films. It looks a lot like the format used later in THAT'S ENTERTAINMENT PART 2 with ladders and spotlights and studio bits for the narrator to wander through before various scenes or musical numbers are presented. Those films with sequences originally shot in 1.33 are presented as such in center frame and the cinema-scope clips fill the whole screen. I have also just discovered thanks to Box office Bill on the Roxy page on the Cinema Treasures site that in 1952, the "Diamonds Are A Girl's Best Friend" song number was shot in two formats: the 1.33 look as released in the feature GENTLEMEN PREFER BLONDES and an experimental cinema-scope version which sat in the vault until it was (now) possibly used as the finale for this c/s doco. I remember showing MARILYN at my cinema in the 70s and 80s and remarking how good this sequence looked in cinema-scope, thinking it was a cropped version of the 1.33. Well, not the case and there is the truth of it. Very good. Thankyou Box office Bill. So it was used eventually, but in a sad celebration. Apart from all this, MARILYN is an excellent doco and today more so as it compiles all the best Fox bits as a stand alone feature. Fox should rediscover their own excellent compilation feature here and get it out into stores on DVD tomorrow! Now if we can get FOX to do the same style of doco with "a celebration of Cinemascope" and a "Fabulous Foxes" and a "Technicolour Two hours" compilation we would sing their praises, instead of moaning the vault is locked. Start with MARILYN. This documentary is a major discovery for anyone in any century.
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषा
- इस रूप में भी जाना जाता है
- Die Welt der Marilyn Monroe
- उत्पादन कंपनी
- IMDbPro पर और कंपनी क्रेडिट देखें
- चलने की अवधि1 घंटा 23 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1
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