Vie privée

Watching Louis Malle's La Vie Privée was an exercise in patience that finally managed to pay off. It wasn't even the bleak colors (remeniscent of the cheap color prints of the 60's) or the lack of chemistry between Bardot and Mastroianni that pushed the audience to the limit. It was perhaps the stilted dialog, made nearly unbearable by the fact that it was poorly dubbed into English. Maybe the film would have worked better in black and white or as a silent. Maybe not...The films final sequence (stretching over the last seven minutes) redeems nearly all its faults. The carefully composed shots, alternating between the faces of the stars and a play being performed on stage (with a remarkable backdrop of an old Spoletto basilica) empowered by moving music brings us closest to the characters. Once again, the so-called "silent" moment dominates the film, showing us the director's capabilities in full bloom. The tension is enhanced by an increased tempo in editing, leading perfectly to the climax. For what may be a deeply flawed film, I feel bad for the people that left early. Those last seven minutes define great film-making.