'Please Don't Eat the Daisies' is another Doris Day film that was seen recently as a quest to see all of her films not yet seen. After seeing it, 'Please Don't Eat the Daisies' is worth seeing, it is not quite as fresh as a daisy but sticking with it and seeing it grow is worth it.
Day has certainly done much better films, as has David Niven and Charles Walters, but Day has also done worse. 'Please Don't Eat the Daisies' at its best is delightful and doesn't try to do any more than necessary and be more than it is. Its reputation seems to be mixed to lukewarm, count me in as those who thinks it deserves better. It is certainly not without its faults.
Like in 'It Happened to Jane', and almost as badly, the children are badly cast, try far too hard to be cute and end up being so sugary cutesy it'll give one toothache and are at their worst rather obnoxious. The film does drag a little towards the end, as a result of trying to do a little too much, and a couple of scenes at this point are not placed as comfortably as they could have been.
Likewise with the otherwise pleasant songs, the title song coming off best. Once again Day sounds beautiful, musically and in an interpretative sense she's spot on and there is a lot of sincerity in her singing.
Day is a sheer delight in 'Please Don't Eat the Daisies' too. She is perky and charming with a naturally sparkling presence and deft comic timing. David Niven is debonair and urbane and the two gel so well and dazzle together. Niven is particularly good with Janis Paige however, which boast some hilarious moments. Great support from lively Janis Paige, ever scene-stealing Spring Byington and suitably stuffy Richard Haydn.
Charles Walters seems comfortable with the material, and handles it and the cast well and mostly handles the various subplots adeptly. There is a lot going on here with five subplots, the story could easily have been bloated but manages not to be and it's all done in a way that's fun and relatable.
Much of 'Please Don't Eat the Daisies' has a fast, snappy pace, only being bogged down towards the end. The script is easy to relate to, very funny in a light way and has a surprisingly sophisticated edge.
Visually it's all very colourful and stylish with exemplary use of CinemaScope, while the music has energy and nuance.
In conclusion, not perfect but a nice film that passes the time inoffensively, and is more than a just for completests film. 7/10 Bethany Cox
