The Showdown

1950
Approved
1 घं 26 मि

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Walter Brennan, Bill Elliott, and Marie Windsor in The Showdown (1950)

अपनी भाषा में प्लॉट जोड़ेंShadrach Jones is convinced that his brother was robbed and killed by a Circle K Ranch cowhand and therefore he joins the outfit in order to find the murderer.Shadrach Jones is convinced that his brother was robbed and killed by a Circle K Ranch cowhand and therefore he joins the outfit in order to find the murderer.Shadrach Jones is convinced that his brother was robbed and killed by a Circle K Ranch cowhand and therefore he joins the outfit in order to find the murderer.

निर्देशक
- Dorrell McGowan
- Stuart E. McGowan
लेखक
स्टार

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IMDb रेटिंग

6.6/10

274

आपकी रेटिंग

निर्देशक
- Dorrell McGowan
- Stuart E. McGowan
लेखक
स्टार

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फ़ोटो5

कहानी

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क्या आपको पता है

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ट्रिविया
The entire Arizona to Montana cattle drive was filmed entirely on the Republic back lot using process photography rear projection involving stock footage and newly photographed second unit background scenes.

गूफ़
In the burial scene about halfway through, the term "Gramophone" is used to refer to an Edison-style cylinder phonograph. This is incorrect; "Gramophone" was coined in the 1890s by Emille Berliner to distinguish his new disc-type record players from Edison's. The mistake is a little surprising in a film made only 55 years after the term was coined, at a time when it was still used in Europe to denote then-modern record players. The same misuse of the term later found its way into the "Dark Shadows" series, particularly in the episodes that featured "Quentin's Theme", which played on a similar Edison cylinder phonograph.

उपयोगकर्ता समीक्षाएं12

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फीचर्ड रिव्यू

Eloquent and forceful

Like many of Republic's B Westerns of this period, this was shot on sound stages with back-projection and process-work standing in for the big blue yonder once so much a part of the western.

Nonetheless, like 'Hellfire' (1949), also scripted by the McGowans, this was a fitting end to Elliott's long stay with Republic. The interesting script has Elliott on the trail of the murderer of his brother and joining a wagon train knowing that one of the men is the guilty one. In an attempt to find out which one, he pushes men and cattle beyond their natural endurance. Brennan, cast against type as the quiet and friendly man who is finally gored to death, is the guilty one and Windsor is the saloon keeper who buys an interest in the herd and travels with it.

The direction is as eloquent as the screenplay and elliott plays his forceful role to the hilt.

Phil Hardy