IMDb रेटिंग
6.7/10
4.5 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंA ruthless college student resorts to murder in an attempt to marry an heiress.A ruthless college student resorts to murder in an attempt to marry an heiress.A ruthless college student resorts to murder in an attempt to marry an heiress.
Albert Cavens
- Restaurant Patron
- (बिना क्रेडिट के)
Robert Ivers
- Student at Murder Scene
- (बिना क्रेडिट के)
Mickey Martin
- Student
- (बिना क्रेडिट के)
Joe McGuinn
- Chemistry Professor
- (बिना क्रेडिट के)
Edwin Rochelle
- Restaurant Patron
- (बिना क्रेडिट के)
Jack Stoney
- Policeman
- (बिना क्रेडिट के)
कहानी
क्या आपको पता है
- ट्रिवियाThe producers had to fight the Production Code office, or what was left of it by this time, to get the word "pregnant" into the film. Even then, the word was deleted in some parts of the country by local censors. The novel was further bowdlerized by having no discussion in the film between Bud and Dorothy about the possibility of her having an abortion, and the pills Bud gives her are said by him to be vitamins and are in fact simply poison to kill her - whereas in the novel they are intended to induce a termination of pregnancy.
- गूफ़Near the end, Gordon is riding to the mine in a Cadillac limousine that has air conditioning, as indicated by small air scoops on both sides behind the back doors. The next shots (after the accident) show a different Cadillac without them. Cars of this era with factory installed air conditioning had half of the system in the trunk, requiring outside air via those little air scoops.
- भाव
Bud Corliss: It's not right.
Dorothy Kingship: What?
Bud Corliss: For anyone to love somebody as much as I love you.
- कनेक्शनReferenced in Living Single: A Kiss Before Lying (1993)
फीचर्ड रिव्यू
Set against the backdrop of the shiny 1950s, "A Kiss Before Dying" is a taunt thriller that can arguably be voted the predecessor of many modern thrillers.
When the film starts, it looks like a glamorous, teenybopper flick. The opening song compliments this heavily, as does the numerous logos and neon colours used in the opening credits. Thinking back on it now, I find it to be a very unusual, brilliant style of film-making that isn't seen very often. It tricks the viewer into something it is not. It is not a 1950s college comedy, but a relentless thriller with lots of unexpected twists and turns. I thought this movie was going to be tame, being a 1950s film and all, but I was pleasantly surprised in how raw the plot was in some places.
A young Robert Wagner portrays Bud Corliss, a darkly handsome college student with an obsessive taste for riches and fine dining. Bud is a trouble 25 year-old man who still lives at home with his aging widowed mother (Mary Astor). He feels unfulfilled in his life and a little uncertain about his future. Dorothy Kingship (Joanne Woodward), a girl with whom he is having a secret relationship with, may be the only glimmer of hope that will lift him up out of his bland, disappointing life. Dorothy's father is incredibly wealthy, and Bud knows this. However, Dorie falls pregnant and Bud is threatened with disinheritance and the inevitable prospect of working as a gas station attendant in order to pay the bills for his wife a baby. This is where the film really takes off and we get to see how dark, desperate and evil Bud really is.
Bud devises a plan: stage his girlfriends suicide. The plan seems simple enough and actually works in Bud's favour. He is free of Dorie and the prospect of disinheritance, and is now able to court Dorie's older sister, Ellen (Virginia Leith), who is totally oblivious of the fact that Bud is Dorie's old flame (and murderer). Enter rookie detective Gordon Grant (Jeffrey Hunter), an intelligent young man who questions the circumstances surrounding Dorie's death, as well as the integrity of Ellen's new lover, Bud. He just has to put the gruesome pieces together to solve the complex puzzle of deceit and murder.
I recommend this movie to fans of the thriller genre, as well as those who want to take a trip down memory lane. Great film with top performance by all. Kudos to Jeffrey Hunter.
When the film starts, it looks like a glamorous, teenybopper flick. The opening song compliments this heavily, as does the numerous logos and neon colours used in the opening credits. Thinking back on it now, I find it to be a very unusual, brilliant style of film-making that isn't seen very often. It tricks the viewer into something it is not. It is not a 1950s college comedy, but a relentless thriller with lots of unexpected twists and turns. I thought this movie was going to be tame, being a 1950s film and all, but I was pleasantly surprised in how raw the plot was in some places.
A young Robert Wagner portrays Bud Corliss, a darkly handsome college student with an obsessive taste for riches and fine dining. Bud is a trouble 25 year-old man who still lives at home with his aging widowed mother (Mary Astor). He feels unfulfilled in his life and a little uncertain about his future. Dorothy Kingship (Joanne Woodward), a girl with whom he is having a secret relationship with, may be the only glimmer of hope that will lift him up out of his bland, disappointing life. Dorothy's father is incredibly wealthy, and Bud knows this. However, Dorie falls pregnant and Bud is threatened with disinheritance and the inevitable prospect of working as a gas station attendant in order to pay the bills for his wife a baby. This is where the film really takes off and we get to see how dark, desperate and evil Bud really is.
Bud devises a plan: stage his girlfriends suicide. The plan seems simple enough and actually works in Bud's favour. He is free of Dorie and the prospect of disinheritance, and is now able to court Dorie's older sister, Ellen (Virginia Leith), who is totally oblivious of the fact that Bud is Dorie's old flame (and murderer). Enter rookie detective Gordon Grant (Jeffrey Hunter), an intelligent young man who questions the circumstances surrounding Dorie's death, as well as the integrity of Ellen's new lover, Bud. He just has to put the gruesome pieces together to solve the complex puzzle of deceit and murder.
I recommend this movie to fans of the thriller genre, as well as those who want to take a trip down memory lane. Great film with top performance by all. Kudos to Jeffrey Hunter.
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