अपनी भाषा में प्लॉट जोड़ेंSuave veteran private eye Duke Martin is on the trail of a secret formula and a kidnapped girl.Suave veteran private eye Duke Martin is on the trail of a secret formula and a kidnapped girl.Suave veteran private eye Duke Martin is on the trail of a secret formula and a kidnapped girl.
Roy Everson
- Man at Airport
- (बिना क्रेडिट के)
Alex Graham
- Crystal Joy Club Patron
- (बिना क्रेडिट के)
Aileen Lewis
- Lady at Airport
- (बिना क्रेडिट के)
कहानी
क्या आपको पता है
- गूफ़When Johnny is photographing the papers that Professor Dohlmann has given him, he takes the normal bulb out of his Anglepoise desk lamp and puts in a brighter bulb. When he turns on the light, the new pattern of light does not match that from the lamp; instead it appears that a light in the ceiling, with a broader beam, has been turned on. When Johnny then moves the Anglepoise closer to the papers, the light does not change as it should do if the light were coming from that lamp.
- कनेक्शनFollows Barbados Quest (1955)
फीचर्ड रिव्यू
In this sequel to the previous year's BARBADOS QUEST Tom Conway and Michael Balfour return as P. I. Tom Martin and his sidekick Barney. This time, they're trying to return a handbag to Paddy Webster. She's disappeared leading them to a missing formula, various thugs and, most important, Honor Blackman.
In rough outline, it looks like the FALCON series that Conway had starred in a decade and a half earlier, after his brother, George Sanders, had handed the role over to him -- he was anxious to take on more interesting projects, and starring in the SAINT series was enough; he didn't need the knockoff. All of which leads to the producers, who would go on to TV's Saint, starring Roger Moore. It looks like their fondness for the earlier series led naturally to Conway.
Conway's characterization seems to be built on being suave, and having the producers on his side, which means he's always a step ahead of everyone, except for Honor Blackman. It's a thoroughly pleasant lightweight timewaster, which is mildly puzzling, since it's directed by Henry Cass. Cass had begun as a stage actor. By the middle 1930s, he was directing major pieces at the Old Vic, then moved to films in 1937. By 1950, he was directing great movies, but his career began to slide after a couple of years. It looks like another case of someone who couldn't handle the strain at the top and retreated to the easy comfort of the Bs.
In rough outline, it looks like the FALCON series that Conway had starred in a decade and a half earlier, after his brother, George Sanders, had handed the role over to him -- he was anxious to take on more interesting projects, and starring in the SAINT series was enough; he didn't need the knockoff. All of which leads to the producers, who would go on to TV's Saint, starring Roger Moore. It looks like their fondness for the earlier series led naturally to Conway.
Conway's characterization seems to be built on being suave, and having the producers on his side, which means he's always a step ahead of everyone, except for Honor Blackman. It's a thoroughly pleasant lightweight timewaster, which is mildly puzzling, since it's directed by Henry Cass. Cass had begun as a stage actor. By the middle 1930s, he was directing major pieces at the Old Vic, then moved to films in 1937. By 1950, he was directing great movies, but his career began to slide after a couple of years. It looks like another case of someone who couldn't handle the strain at the top and retreated to the easy comfort of the Bs.
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- चलने की अवधि1 घंटा 12 मिनट
- रंग
- पक्ष अनुपात
- 1.37 : 1
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किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें