Gelosia

1953
1 घं 26 मि

IMDb रेटिंग

आपकी रेटिंग

Marisa Belli, Erno Crisa, Alessandro Fersen, and Liliana Gerace in Gelosia (1953)

अपनी भाषा में प्लॉट जोड़ेंA Sicilian nobleman is very jealous of his mistress and when she gets married flies off his handle and commits a murder of which an innocent man is accused. He is however tormented by his co... सभी पढ़ेंA Sicilian nobleman is very jealous of his mistress and when she gets married flies off his handle and commits a murder of which an innocent man is accused. He is however tormented by his conscience.A Sicilian nobleman is very jealous of his mistress and when she gets married flies off his handle and commits a murder of which an innocent man is accused. He is however tormented by his conscience.

IMDbPro पर प्रोडक्शन की जानकारी देखें

IMDb रेटिंग

6.9/10

192

आपकी रेटिंग

IMDbPro पर प्रोडक्शन की जानकारी देखें

फ़ोटो

ट्रिविया
Several changes from the 1942 version: Instead of being killed at night on horseback, Rocco is assassinated in broad daylight as he sings to his new bride and leads the horse drawn carriage through the country side. Instead of being tormented by the sound of horses' hooves, the guilty Marquis thinks he hears the sound of the dead man singing outside his villa. Instead of dying in prison, the innocent man is here shown escaping and later being trapped by police at night and killed in the crossfire. Unlike in the first version there are no little children from the innocent man's family brought into the household of the Marquis.

कनेक्शन
Edited into Lo schermo a tre punte (1995)

उपयोगकर्ता समीक्षाएं5

समीक्षा करें

फीचर्ड रिव्यू

Moving Masterpiece

Great music, great acting, great directing, quick pacing, great camera work. It's a perfect melodrama of the highest kind. It's about tensions between social classes, but ultimately, it is about more than that: the quest for human love and passion, which is really a quest for divine love and passion. It's not really about jealousy, but about the quest for transcendence of the mundane, a quest for the numinous. The final scene is so moving, it is hard to hold back tears. It resembles Michaelangelo's Pieta, and only then do we realize that what we have been watching is not so much a high caliber drama, as an elegy for all those countless many who have been crucified on the cross of love.