अपनी भाषा में प्लॉट जोड़ेंInspector Fernack is framed by a cartel of five gangsters and Simon does his best to prove it before all the conspirators are murdered by a mysterious killer.Inspector Fernack is framed by a cartel of five gangsters and Simon does his best to prove it before all the conspirators are murdered by a mysterious killer.Inspector Fernack is framed by a cartel of five gangsters and Simon does his best to prove it before all the conspirators are murdered by a mysterious killer.
- Max Bremer
- (as Cyrus W. Kendall)
- Shipboard Card Player
- (बिना क्रेडिट के)
- Customs Inspector
- (बिना क्रेडिट के)
- Nightclub Patron
- (बिना क्रेडिट के)
- Ship Steward
- (बिना क्रेडिट के)
- Welcoming Committee Man
- (बिना क्रेडिट के)
कहानी
क्या आपको पता है
- ट्रिवियाThis is the first Saint movie to use the ubiquitous Saint caricature during the main titles.
- गूफ़Nella Walker reprises her role from The Saint Strikes Back (1939) as John Henry Fernack's wife. In that film her forename is Betty, whilst here it is Lucy.
- भाव
Clarence 'Pearly' Gates: I just wish I knew your angle, Saint. Whose side are you on.
Simon Templar: I'm on my own side.
Clarence 'Pearly' Gates: Where does that put me?
Simon Templar: That depends. If you were cleverer than you look, you'll be on my side.
- कनेक्शनFollowed by The Saint in Palm Springs (1940)
'The Saint Strikes Back' was a decent debut film for George Sanders in the role, though there was a finding-its-feet feel to it with the supporting cast and some of the storytelling being patchy. 'The Saint in London' is an improvement, with things feeling more settled and with a much better supporting cast, though production values weren't as good and the story could have been tighter and had more mystery.
Conversely, the third Saint film with Sanders 'The Saint Takes Over' is the best of the three and among the best of the series. There is not much actually to complain about, although the sets are still atmospheric the film does look at times like it was made quickly on a tight budget and the ending just felt too conveniently and easily wrapped up.
On the whole though, while things felt more settled in the previous film it was with 'The Saint Takes Over' where the series hit its stride. The story is by far the best executed of the Sanders-Saint films so far, it's breezy and tight and light-hearted and always easy to follow without being simplistic. At the same time, there is much more mystery here, and it's a compelling one, and it is the film in the series up to this point to feel closest to the tougher edge in the Louis Hayward Saint film that preceded the series.
Scripting is smart and with the right balance of fun and mystery, while the music is jaunty but also atmospheric. The direction is suitably brisk, and there are some good scenes such as the scaring to confessing scene.
As said with the previous films, Sanders himself is super-suave, sophisticated and wonderfully caddish, while also giving a charming and humorous edge and delivering some cutting lines with aplomb. Jonathan Hale is fine support, while Wendy Barrie is leagues better than she was in 'The Saint Strikes Back' (there she was a draw-back, here she blends right in tone with the story and has a much warmer character). Paul Guilfoyle is very amusing too.
On the whole, the best of the Saint series starring Sanders up to this point and among the best of the series too. 8/10 Bethany Cox
- TheLittleSongbird
- 2 नव॰ 2016
- परमालिंक
टॉप पसंद
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषा
- इस रूप में भी जाना जाता है
- Helgonet reser till New York
- फ़िल्माने की जगहें
- उत्पादन कंपनी
- IMDbPro पर और कंपनी क्रेडिट देखें
- चलने की अवधि1 घंटा 9 मिनट
- रंग
- पक्ष अनुपात
- 1.37 : 1