अपनी भाषा में प्लॉट जोड़ेंTale of prehistoric survival and love between a male and a female belonging to opposing tribes that happen to be at slightly different stages of evolution.Tale of prehistoric survival and love between a male and a female belonging to opposing tribes that happen to be at slightly different stages of evolution.Tale of prehistoric survival and love between a male and a female belonging to opposing tribes that happen to be at slightly different stages of evolution.
- 2 ऑस्कर के लिए नामांकित
- 3 कुल नामांकन
कहानी
क्या आपको पता है
- ट्रिवियाThe special effects were so good that footage from this film was used in numerous other pictures produced well into the 1960s.
- गूफ़The cave people speak in a made-up language, but Lon Chaney Jr. slips after he throws Victor Mature out of the cave. His wife rushes forward, and Lon clearly says "Get back! Get down! Get back!"
- भाव
Narrator: These strange figures and forms were carved here many years ago - before any record of our present civilization. They speak the message of an intelligent man.
Mountain Guide: Do you mean there were people of intelligence that long ago?
Narrator: Intelligence, my friend, is inherit. Education and culture are acquired. Civilization, of course, has brought complications. But here are the same thoughts, the same emotions, the same struggles with the problems of life and death we have today experienced.
- क्रेज़ी क्रेडिटConrad Nagel is in the opening credits as "Narrator," but not in the comprehensive end credits. Because of this, the opening credits are used first in the IMDb listing and the rest of the cast is filled in with the end credits.
- कनेक्शनEdited into Two Lost Worlds (1951)
Small studio producer Hal Roach busted the budget for this one, released by United Artists. Conrad Nagel as an archaeologist interprets the cave drawings for a group of weary young people on a hike who take shelter where he's doing some research. The two protagonists Louanna of the shell people and Tumac of the rock people look a whole lot like Carole and Vic.
Vic's from the savage rock clan who basically operate on a survival of the fittest basis. After a quarrel with the head of the clan, Lon Chaney, Jr. he's exiled and he's found in the primeval forest by Carole Landis who definitely likes what she sees.
Her shell people are a bit far up the evolutionary scale and she and the rest strive mightily to break Vic of his individualistic and isolationist ways.
And that's the key to One Million BC. Think of the time it came out and what the world was facing. There's a lot of aggressive wildlife in the forest primeval and the savage wildlife in 1940 had two legs instead of four. Time for the clan and rock people of the day to put aside their differences and face the common foe of nature.
This was supposed to be D.W. Griffith's comeback film and it's open to speculation as to how much he did shoot on this. I think the protagonists have an innocence about them, even the savage Mature before he gets housebroken so to speak the way Griffith protagonists do.
For the next 30 years the footage of One Million BC was used over and over again in every kind of monster film going. Those lizards got to be old friends after a while. It also launched the careers of both Victor Mature and Carole Landis. Though both of them did have considerably more dialog in later films.
After over 60 years One Million BC is still a great film to watch and be enthralled by the special effects as they were originally done. One Million BC got two Oscar nominations for Special Effects and Best Music Score.
Will the rock and shell people find they have a common foe? Watch and find out.
- bkoganbing
- 2 दिस॰ 2008
- परमालिंक
टॉप पसंद
- How long is One Million B.C.?Alexa द्वारा संचालित
विवरण
- चलने की अवधि1 घंटा 20 मिनट
- रंग
- पक्ष अनुपात
- 1.37 : 1