IMDb रेटिंग
7.0/10
3.7 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंFrankie Madison leaves prison expecting a share from his ex-partner. But Prohibition bootlegging didn't prepare Frankie for Big Business.Frankie Madison leaves prison expecting a share from his ex-partner. But Prohibition bootlegging didn't prepare Frankie for Big Business.Frankie Madison leaves prison expecting a share from his ex-partner. But Prohibition bootlegging didn't prepare Frankie for Big Business.
Jorge Rigaud
- Maurice
- (as George Rigaud)
Bobby Barber
- Newsboy
- (बिना क्रेडिट के)
Brooks Benedict
- Nightclub Patron
- (बिना क्रेडिट के)
John Bishop
- Ben
- (बिना क्रेडिट के)
Charles D. Brown
- Police Lt. Hollaran
- (बिना क्रेडिट के)
Gino Corrado
- George
- (बिना क्रेडिट के)
James Davies
- Masseur
- (बिना क्रेडिट के)
Jean Del Val
- Henri--Chef
- (बिना क्रेडिट के)
Jimmie Dundee
- Hijack Driver
- (बिना क्रेडिट के)
कहानी
क्या आपको पता है
- ट्रिवियाThis was the first film in which Kirk Douglas and Burt Lancaster were teamed. In total, they made seven films together.
- गूफ़(at around 1h 27 mins) The main characters are travelling back to the city. After they pay the toll-booth attendant to cross a bridge, the car they are travelling in is seen speeding along beneath some elevated railway tracks. However, it is seen driving on the left side of the road, rather than the right side, for the USA. Some signage in the background is also reversed. An editing error (i.e., footage got spliced in upside down) or it was deliberately put in this way to give the viewer the impression the car was travelling west to east.
- भाव
Nick Palestro: For a buck, you'd double-cross your own mother.
Skinner: Why not? She'd do the same to me.
- कनेक्शनEdited into Dead Men Don't Wear Plaid (1982)
- साउंडट्रैकDon't Call It Love
Lyrics by Ned Washington
Music by Allie Wrubel
Dubbed by Trudy Stevens (uncredited)
[Kay (Lizabeth Scott) sings the song at the club]
फीचर्ड रिव्यू
I Walk Alone is directed by Byron Haskin and adapted to screenplay by Charles Schnee, Robert Smith and John Bright from the play written by Theodore Reeves. It stars Burt Lancaster, Kirk Douglas, Lizabeth Scott and Wendell Corey. Music is by Victor Young and cinematography by Leo Tover.
Frankie Madison (Lancaster) returns to New York after 14 years in prison. Noll Turner (Douglas), Frankie's former partner in bootlegging, is now a wealthy nightclub manager, and Frankie is expecting him to honor a verbal '50:50' agreement they made when he was caught and Noll got away...
This is perfect noir foil for the three main stars, Lancaster is all macho mismanagement and edgy, Douglas is suave, cunning and intense, while Scott smoulders and portrays her conflicted character with believable confusion and an earnest yearning for worth.
The story intrigues mainly through Frankie being a man out of his time, after serving 14 years in prison, he comes out to find the underworld he once knew has changed considerably. Yet he wants what is his and will put himself through the mangler in the old day way to get what he thinks he rightly deserves. Kay Lawrence (Scott) isn't a femme fatale, she just borders the type by default until the truth will out and the story arc folds inwards (love the way Tover lights her scenes).
Douglas revels in being a villain, and the Noll Turner character gives him the chance to smarm, charm and trample on anyone who could affect his monetary gains. And so it is left to Corey as Dave to round out the key affecting perfs. He's the man closest to Frankie, but as a milquetoast type of lawyer, he has, while Frankie was in prison, helped legally cover the financial angles for Noll Turner. All characters are entering noirville and it makes for a satisfying experience for fans of such. 7/10
Frankie Madison (Lancaster) returns to New York after 14 years in prison. Noll Turner (Douglas), Frankie's former partner in bootlegging, is now a wealthy nightclub manager, and Frankie is expecting him to honor a verbal '50:50' agreement they made when he was caught and Noll got away...
This is perfect noir foil for the three main stars, Lancaster is all macho mismanagement and edgy, Douglas is suave, cunning and intense, while Scott smoulders and portrays her conflicted character with believable confusion and an earnest yearning for worth.
The story intrigues mainly through Frankie being a man out of his time, after serving 14 years in prison, he comes out to find the underworld he once knew has changed considerably. Yet he wants what is his and will put himself through the mangler in the old day way to get what he thinks he rightly deserves. Kay Lawrence (Scott) isn't a femme fatale, she just borders the type by default until the truth will out and the story arc folds inwards (love the way Tover lights her scenes).
Douglas revels in being a villain, and the Noll Turner character gives him the chance to smarm, charm and trample on anyone who could affect his monetary gains. And so it is left to Corey as Dave to round out the key affecting perfs. He's the man closest to Frankie, but as a milquetoast type of lawyer, he has, while Frankie was in prison, helped legally cover the financial angles for Noll Turner. All characters are entering noirville and it makes for a satisfying experience for fans of such. 7/10
- hitchcockthelegend
- 8 फ़र॰ 2020
- परमालिंक
टॉप पसंद
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- How long is I Walk Alone?Alexa द्वारा संचालित
विवरण
बॉक्स ऑफ़िस
- दुनिया भर में सकल
- $122
- चलने की अवधि1 घंटा 37 मिनट
- रंग
- पक्ष अनुपात
- 1.37 : 1
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