अपनी भाषा में प्लॉट जोड़ेंWhen a woman's twin sister is drowned, she assumes her identity in order to be close to the man she feels her sister took from her years before.When a woman's twin sister is drowned, she assumes her identity in order to be close to the man she feels her sister took from her years before.When a woman's twin sister is drowned, she assumes her identity in order to be close to the man she feels her sister took from her years before.
- 1 ऑस्कर के लिए नामांकित
- कुल 1 नामांकन
Charles Ruggles
- Freddie Linley
- (as Charlie Ruggles)
Audley Anderson
- Reel Dancer
- (बिना क्रेडिट के)
Sam Ash
- Motor Boat Operator
- (बिना क्रेडिट के)
Mary Bayless
- Wedding Reception Guest
- (बिना क्रेडिट के)
Edward Biby
- Art Patron
- (बिना क्रेडिट के)
Monte Blue
- Mr. Lippencott
- (बिना क्रेडिट के)
Harlan Briggs
- Fisherman
- (बिना क्रेडिट के)
Lillian Bronson
- Gushy Woman
- (बिना क्रेडिट के)
Nora Bush
- Townswoman at Barn Dance
- (बिना क्रेडिट के)
कहानी
क्या आपको पता है
- ट्रिवियाThis film, along with his previous post-war picture, Gilda (1946), relaunched Glenn Ford's career after spending two years in the U.S. Marines during World War II.
- गूफ़(at around 25 mins) Admittedly, the special effects/trick photography are superb, especially for its time, but there is a moment just after Kate hands Pat a lit match, when Kate turns transparent. It's when she's behind the chair Pat is sitting in and moves to the right. As she starts her move, her waist becomes transparent for just a split-second, and the bed can be seen behind her through her hip and waist area.
- भाव
Kate Bosworth: Lonely people want friends. They have to search very hard for them. It's difficult for them to find...
Bill Emerson: Other lonely people.
- कनेक्शनFeatured in Okay for Sound (1946)
- साउंडट्रैकThe Sailor's Hornpipe
(uncredited)
Traditional
फीचर्ड रिव्यू
Davis fans get to double their fun in this well-crafted soaper. At the same time, the plot remains something of a stretch. Can twin Katie finally find happiness impersonating identical twin Pat. As herself, poor Katie is lonely, timid, and searching for an identity. Most of the time she spends folding her need into art painting. At the same time, twin Pat is outgoing, self-assured and bold; in short, Pat's everything Katie isn't. Nonetheless, Katie's future brightens when she meets what appears her soul-mate, Bill (Ford), on a lighthouse island. But then Bill meets seductive Pat, and they marry leaving poor Katie alone again. Now Katie faces a bleak future until fate intervenes and she must suddenly impersonate her twin. As Pat, however, the timid Katie discovers abilities she didn't know she had. But will these come at the cost of losing the subtle appeal that first charmed Bill. In effect Katie now lives a life stolen from Pat, but at what cost.
What impresses me most is WB's craftsmanship- the howling seas, the ace photography, and especially the undetectable doubling of Davis in the same shot. In those technologically lesser days (1946), I thought doubling in the same shot could only be done by splitting the film so that some distance on screen had to remain between the doubles. Here, however, that distance is often erased. I wish IMDB had some info on how they did it.
Acting-wise it's a Davis showcase, but the studio backs up its star in fine fashion. Speaking of Davis, she's mostly without her sometime theatrics, conveying the twins' personality differences in fairly subtle fashion. Ford too is well cast as an apparently sensitive working man, who nevertheless jilts sensitive Katie for philandering Pat. But I have to wonder about Dane Clark's arrogant role that appears peripheral to the main plot. Perhaps it's the studio's effort at promoting a promising actor before the public.
All in all, the soaper remains a polished production from Hollywood's golden period, even if the story requires quite a swallow. Meanwhile, Davis fans get to double their fun.
What impresses me most is WB's craftsmanship- the howling seas, the ace photography, and especially the undetectable doubling of Davis in the same shot. In those technologically lesser days (1946), I thought doubling in the same shot could only be done by splitting the film so that some distance on screen had to remain between the doubles. Here, however, that distance is often erased. I wish IMDB had some info on how they did it.
Acting-wise it's a Davis showcase, but the studio backs up its star in fine fashion. Speaking of Davis, she's mostly without her sometime theatrics, conveying the twins' personality differences in fairly subtle fashion. Ford too is well cast as an apparently sensitive working man, who nevertheless jilts sensitive Katie for philandering Pat. But I have to wonder about Dane Clark's arrogant role that appears peripheral to the main plot. Perhaps it's the studio's effort at promoting a promising actor before the public.
All in all, the soaper remains a polished production from Hollywood's golden period, even if the story requires quite a swallow. Meanwhile, Davis fans get to double their fun.
- dougdoepke
- 6 अक्तू॰ 2018
- परमालिंक
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषा
- इस रूप में भी जाना जाता है
- Una vida robada
- फ़िल्माने की जगहें
- लगुना बीच, कैलिफोर्निया, यूएसए(Painting scene on oceanside rocks)
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
- चलने की अवधि1 घंटा 49 मिनट
- रंग
- पक्ष अनुपात
- 1.37 : 1
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