Shock

Shock (1946)

You know right away this is a little creaky, but Vincent Price is in great form, and the idea of being committed to an insane asylum when you aren't insane is enough to carry almost any hour long movie. The filming in particular gives the film a polish the actors generally do not, and the plot has some conveniences that you can only smile at. They are not inconsistencies, and people act with a high level of logic.

You might call this a film noir, because of its gloom, because of its classic (and cruel) femme fatale, and because there is murder at hand. But most important is the appearance here and there of the solider, still in uniform, just returned from the war after two years missing in action. His positively sweet good nature in the face of an utter breakdown of the world he expected to find is meant to resonate with so many in the audience on both sides of just such homecomings. It's 1946, after all, and there isn't any larger theme for the average Jane and Joe.

Totally fun. And great, undiluted suspense.