एक लॉस एंजिल्स बीमा प्रतिनिधि एक आकर्षक गृहिणी को बीमा धोखाधड़ी और हत्या की एक योजना में बहकाने देता है जो उसके सहयोगी के संदेह को जगाता है।एक लॉस एंजिल्स बीमा प्रतिनिधि एक आकर्षक गृहिणी को बीमा धोखाधड़ी और हत्या की एक योजना में बहकाने देता है जो उसके सहयोगी के संदेह को जगाता है।एक लॉस एंजिल्स बीमा प्रतिनिधि एक आकर्षक गृहिणी को बीमा धोखाधड़ी और हत्या की एक योजना में बहकाने देता है जो उसके सहयोगी के संदेह को जगाता है।
- 7 ऑस्कर के लिए नामांकित
- 2 जीत और कुल 9 नामांकन
Lev Abramov
- Stage Hand
- (बिना क्रेडिट के)
James Adamson
- Pullman Porter
- (बिना क्रेडिट के)
John Berry
- Bit Part
- (बिना क्रेडिट के)
Raymond Chandler
- Man Reading Magazine Outside Keyes' Office
- (बिना क्रेडिट के)
Edmund Cobb
- Train Conductor
- (बिना क्रेडिट के)
Kernan Cripps
- Conductor
- (बिना क्रेडिट के)
Betty Farrington
- Nettie - Dietrichsons' Maid
- (बिना क्रेडिट के)
Bess Flowers
- Norton's Secretary
- (बिना क्रेडिट के)
कहानी
क्या आपको पता है
- ट्रिवियाThe house used as Barbara Stanwyck's character's home still stands today at 6301 Quebec Drive.
- गूफ़When Phyllis is listening at Neff's door as he talks with Keyes, Keyes exits into the hallway and Phyllis hides behind the door. The door opens into the hallway which isn't allowed by building codes, even back then, but it does give Phyllis something to hide behind and increases the tension.
- भाव
[last lines]
Walter Neff: Know why you couldn't figure this one, Keyes? I'll tell ya. 'Cause the guy you were looking for was too close. Right across the desk from ya.
Barton Keyes: Closer than that, Walter.
Walter Neff: I love you, too.
- क्रेज़ी क्रेडिटOpening credits are shown over a silhouette of a man on crutches, walking toward the camera.
- कनेक्शनEdited into Dead Men Don't Wear Plaid (1982)
फीचर्ड रिव्यू
I've now seen this movie 14 times in 25 years, at all times of the year, in all moods, sober or not etc - but always at night. I recorded my copy off TV in 1987 so I can only imagine what a remaster would do for it. With an atmosphere thick enough to cut with a knife it never fails to engross and enchant me, and although it's been dated for 40 years or more still seems relevant and watchable today. TV, answer phones, recordable CD/DVD, memory sticks and the internet have all come between us and yet I can still watch Fred MacMurray speaking into a Dictaphone without a qualm. Who wears a hat in California nowadays? Who buys beer whilst driving! Lift attendants have gone but I can still believe in Charlie working and laughing away in the garage past 11 at night.
Woman and man agree to murder woman's husband but on the way to the cemetery they face grilling by insurance company. I think everything has been said before on the IMDb - by those who think it's one of the best films ever made! To those who simply think the main problem is that it's dated I wish you could see the TV commercials that dug into DI back in '87 - what a hoot - and compare. I've just noticed the print TCM UK is showing in 2005 is lip-synced out, very wobbly Rosza music track, fading and ageing fast - worse than my 1987 video tape (maybe logically). They're supposed to be encouraging people to enjoy the classics but they won't do that with such inferior screening copies. Dear TCM UK, this is an impressive iconic film - it deserves a billion dollar remaster authorised by the Library of Congress, not repeatedly trotting out unimpressive cheap worn dupes to fill those 2 hour slots.
Everything about DI from the acting, production, direction, and music is superbly dignified and is as "close to perfection" as human beings are probably allowed to get with this form of Art - especially with the more limited technology at their disposal in '44. When most films from now are long forgotten and dated DI will still be getting re-runs on TV and art-house cinemas - God and remasters willing - that is the fact of it.
Fortunia Bonanova certainly was fortunate to have appeared in bit parts in 2 of the best films ever made - Citizen Kane the other.
Woman and man agree to murder woman's husband but on the way to the cemetery they face grilling by insurance company. I think everything has been said before on the IMDb - by those who think it's one of the best films ever made! To those who simply think the main problem is that it's dated I wish you could see the TV commercials that dug into DI back in '87 - what a hoot - and compare. I've just noticed the print TCM UK is showing in 2005 is lip-synced out, very wobbly Rosza music track, fading and ageing fast - worse than my 1987 video tape (maybe logically). They're supposed to be encouraging people to enjoy the classics but they won't do that with such inferior screening copies. Dear TCM UK, this is an impressive iconic film - it deserves a billion dollar remaster authorised by the Library of Congress, not repeatedly trotting out unimpressive cheap worn dupes to fill those 2 hour slots.
Everything about DI from the acting, production, direction, and music is superbly dignified and is as "close to perfection" as human beings are probably allowed to get with this form of Art - especially with the more limited technology at their disposal in '44. When most films from now are long forgotten and dated DI will still be getting re-runs on TV and art-house cinemas - God and remasters willing - that is the fact of it.
Fortunia Bonanova certainly was fortunate to have appeared in bit parts in 2 of the best films ever made - Citizen Kane the other.
- Spondonman
- 1 मई 2004
- परमालिंक
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइट
- भाषा
- इस रूप में भी जाना जाता है
- Pacto de sangre
- फ़िल्माने की जगहें
- उत्पादन कंपनी
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $9,27,262(अनुमानित)
- दुनिया भर में सकल
- $19,543
- चलने की अवधि1 घंटा 47 मिनट
- रंग
- पक्ष अनुपात
- 1.33 : 1
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