Alan Ladd is a guy making an easy buck in the war between Japan and the Nationalist Chinese forces, selling oil products to the advancing Japanese. He has William Bendix working for him, and Bendix is a little soft in the heart, rescuing Chinese babies in bombed out cities and so forth. Then they are joined by missionary Loretta Young, who persuades Ladd against his better judgment to fill his truck with young Chinese girls and head west before the Japanese get them. But one girl jumps off the truck to go take care of her parents. It's Ladd who goes to find her, and what he sees changes his mind about this being a place to just make a buck.
Until just after the halfway mark it's a straightforward adventure, with Ladd in cynical mode. After that it turns into a propaganda piece, and this being wartime, there's one Code-breaking shot as one of the Chinese commandos drives a knife into a Japanese soldier in full view. Cameraman Leo Tover shoots it and other shots in strongly shadowed light, and shoots the sort of 'group portrait' shot that director John Farrow liked to use, when he isn't shooting the leads in close-up. It's the sort of propaganda adventure movie that the studios were making during the Second World War, and putting some strong leads in. Fortunately for the budget, you've got Ladd and Miss Young on the first card, Bendix gets his name alone n the second, and the third card has five actors, all of them Asian Americans, including Philip Ahn and Sen Yung.
