अपनी भाषा में प्लॉट जोड़ेंTwo phony fortune tellers get mixed up with gypsies.Two phony fortune tellers get mixed up with gypsies.Two phony fortune tellers get mixed up with gypsies.
Lita Chevret
- Slot Machine Señorita
- (बिना क्रेडिट के)
Bill Elliott
- Party Guest
- (बिना क्रेडिट के)
June Glory
- Chorus Girl
- (बिना क्रेडिट के)
Audree Henderson
- Flapper
- (बिना क्रेडिट के)
Alice Jans
- Chorus Girl
- (बिना क्रेडिट के)
Bob Kortman
- Gypsy
- (बिना क्रेडिट के)
Kalla Pasha
- Hotheaded Cowboy
- (बिना क्रेडिट के)
Betty Recklaw
- Flapper
- (बिना क्रेडिट के)
कहानी
क्या आपको पता है
- ट्रिवियाFans of this film have wondered as to the identity of the two women who are dining at the casino early in the film. They enjoy a lengthy sequence when Wheeler & Woolsey sit at their table and flirt with them as the two women feed them straight-lines so Wheeler & Woolsey can give the comedic rejoinder. The girl playing straight for Bert Wheeler is Audree Henderson. (Though the trade papers of the day would occasionally misspell her first name as Audrey.) She was a contract player at "R.K.O." at the time The Cuckoos was filmed. Audree later became the fourth wife of film director A. Edward Sutherland from 8 January 1933, until they were divorced on 11 December 1935. The actress playing straight for Robert Woolsey is Betty Recklaw. She appeared in small roles in a number of films made for different studios during the late twenties and early thirties.
- गूफ़When Billy lands his plane, he motions to shut off the engine - and its sound stops instantly, even though the prop is still turning.
- भाव
Flapper: You're Americans, aren't you?
Professor Cunningham: Yes, yes, but we can't lend you any money.
- इसके अलावा अन्य वर्जनThere are still several TV prints around that are missing the Technicolor sequences. The recently restored print seems to be complete, including the long lost finale.
- कनेक्शनReferenced in The Lady Consents (1936)
फीचर्ड रिव्यू
Wheeler and Woolsey had made one previous movie together, RIO RITA. RIO RITA was a musical extravaganza and in this film the standout performances were by Bebe Daniels and Wheeler and Woolsey. In fact, the audience response was so positive to the boys that RKO immediately signed them to star in THE CUCKOOS--another musical with comedy interludes. While similar to RIO RITA, it's very different from their later films because there is so much singing--and many of their later films had none. Now some singing might not have been a bad thing. The songs Wheeler and Woolsey sang were pretty cute and they were amazingly good dancers--showing their vaudeville heritage as song and dance men. Even Bert Wheeler's sweet "I Love You So Much" number was quite pleasant--even if it was without Woolsey and was a love song. Unfortunately, there were 2983 songs in the film (I counted them--trust me on this) and after a while it just became a distraction from the comedy--a MAJOR distraction. HUGE song and dance numbers like "Tap the Devil Away" were big, colorful (with two-color Technicolor for several dance numbers, such as this one) were particularly annoying and pointless. You really can't blame the boys for all this--this is what RKO wanted and musicals were hugely popular in 1930.
As for the comedy, Wheeler and Woolsey were better than normal--far less annoying than in some of their later outings and it's just a shame they didn't have more chance to do their stuff. I particularly liked the bedroom scene where EVERYONE seemed to keep interrupting their sleep. It was a bit reminiscent of the later stateroom scene in the Marx Brothers' A NIGHT AT THE OPERA. Also, although it's a big icky, the scene where Wheeler dresses in drag and seduces the gypsy men is funny as well.
The boys star as phony psychics who get into trouble just south of the border (in Mexico). They hang out in the world's weirdest casino, as it has huge Busby Berkeley-style song and dance numbers and the gambling seems almost unimportant! They bumble into a kidnapping plot and Wheeler also gets on the bad side of an evil Gypsy (a popular group to hate back in 1930). Why Gypsies were in Mexico and living right next to the casino is anyone's guess.
As for the comedy, Wheeler and Woolsey were better than normal--far less annoying than in some of their later outings and it's just a shame they didn't have more chance to do their stuff. I particularly liked the bedroom scene where EVERYONE seemed to keep interrupting their sleep. It was a bit reminiscent of the later stateroom scene in the Marx Brothers' A NIGHT AT THE OPERA. Also, although it's a big icky, the scene where Wheeler dresses in drag and seduces the gypsy men is funny as well.
The boys star as phony psychics who get into trouble just south of the border (in Mexico). They hang out in the world's weirdest casino, as it has huge Busby Berkeley-style song and dance numbers and the gambling seems almost unimportant! They bumble into a kidnapping plot and Wheeler also gets on the bad side of an evil Gypsy (a popular group to hate back in 1930). Why Gypsies were in Mexico and living right next to the casino is anyone's guess.
- planktonrules
- 22 अक्तू॰ 2009
- परमालिंक
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