अपनी भाषा में प्लॉट जोड़ेंStarving playwright Judith Wells meets playboy writer of musicals George Macrae over a plate of stolen spaghetti. He persuades producer Sam Gordon to buy her ridiculous play "North Winds" ju... सभी पढ़ेंStarving playwright Judith Wells meets playboy writer of musicals George Macrae over a plate of stolen spaghetti. He persuades producer Sam Gordon to buy her ridiculous play "North Winds" just to improve his romantic chances, and even persuades her to sing in the sort of show she... सभी पढ़ेंStarving playwright Judith Wells meets playboy writer of musicals George Macrae over a plate of stolen spaghetti. He persuades producer Sam Gordon to buy her ridiculous play "North Winds" just to improve his romantic chances, and even persuades her to sing in the sort of show she pretends to despise. But just when their romance is going well, Gordon's former flame Lul... सभी पढ़ें
- The Ritz Brothers
- (as Ritz Brothers)
- Lulu Riley
- (as Louise Hovick)
- David Rubinoff
- (as Rubinoff)
- Specialty Dancers in North Winds
- (as Tip Tap and Toe)
- Theatregoer
- (बिना क्रेडिट के)
- Publicity Agent
- (बिना क्रेडिट के)
कहानी
क्या आपको पता है
- ट्रिवियाThe film debut of Gypsy Rose Lee (billed as Louise Hovick).
- गूफ़On the marriage license of George Macrae and Lulu Riley; her residence is shown as 1425 W. 52 Street. However, there isn't a 1400 block on W. 52 Street,the highest is 600.
- भाव
Judith Wells: A little exercise won't hurt you.
George Macrae: I get all the exercise I need from going to the funerals of my athletic friends.
- क्रेज़ी क्रेडिटRubinoff and his Violin
- कनेक्शनReferenced in Kremar Banaam Kremar (1979)
- साउंडट्रैकYou Can't Have Everything
(1937) (uncredited)
Music by Harry Revel
Lyrics by Mack Gordon
Played during the opening and end credits
Sung by Alice Faye with David Rubinoff on violin
Reprised by The Ritz Brothers with Louis Prima and His Band
Played often in the score
The money-making hit "You Can't Have Everything"," directed by Norman Taurog, featured the screen debut of burlesque entertainer Rose Louise Hovick, otherwise know as Gypsy Rose Lee. Singer Tony Martin also made an early personal film appearance, belting out a couple of songs, while the Ritz Brothers, Jimmy, Hal and Harry, in their fourth and largest role yet, play assistants to producer Sam Gordon (Charles Winninger), a partner with musical writer George Macrae (Ameche).
Faye plays poverty-stricken playwright Judith Poe Wells, a direct descendent to the 19th-century gothic writer Edgar Allan Poe. She's spotted by George, who hears her golden voice sing for a meal at an Italian restaurant. He tells producer Gordon he's found a great singer who can replace the disgruntled female lead in his musical. Complicating his romantic intentions for Judith is George's tough-nosed girlfriend, Lulu Riley (Hovick, aka Gypsy Rose Lee). To discourage his passion for Judith, Lulu claims George married her while he was in a drunken stupor. Rose's unsympathetic role was a bold move for the well-known performer whose schtick was to shed her clothes by teasing her audiences rather than the common bump and grind movements burlesquers at that time displayed. The child of a vaudeville entertainer, Rose performed in song-and-dance numbers with her younger sister June (Havoc), who later became a star in her own right. When June left for a man, Rose turned to burlesque, and was one of the most popular dancers in her profession. In the five films she appeared in during 1937 and 1938, she was credited as Louise Hovick, even though she had earlier changed her stage name to Gypsy Rose Lee. After two years in Hollywood, she worked sporadically in film, appearing in only seven more movies, the last 1969's "The Over-the-Hill Gang." Her 1957 autobiography, 'Gypsy: A Memoir' was made into the 1959 musical 'Gypsy,' which in turn was adapted to the 1962 film with Rosalind Russell as Rose.
The three Joachim brothers, born in Newark, New Jersey, were led by the oldest, Jimmy. He felt the three needed a more classy stage name early in their vaudeville careers, and spotted the name 'Ritz' on the side of a laundry truck. Jimmy, Harry and Al first entertained as a dance team, then branched into comedy. After six two-reel comedies in 1934, 20th Century-Fox hired them for spot duty in its musicals. Unlike their counterparts, the Marx Brothers, the Ritz looked and acted alike, even though boisterous brother Harry received the majority of their dialogue. The Ritz Brothers left Hollywood in 1943 for Las Vegas after being relegated to low budget movies. They remained a Vegas act until Jimmy suddenly died of a heart attack in December 1965.
Tony Martin's brief appearance with a pair of songs in "You Can't Have Everything" was typical at this stage of his young film career. As an avid saxophone player, the Oakland, California, high schooler played alongside future bandleader Woody Herman in a local orchestra before graduating college in the mid-1930s. Cutting records and doing short stints in film beginning with Fred Astaire and Ginger Rogers' 1936 "Follow the Fleet," Martin fell for Alice Faye while filming "You Can't Have Everything," and married shortly after. The three-year marriage ended when both realized their busy acting schedules were disrupting their marital bliss. Martin's popularity rose through the years, and he became the highest paid Las Vegas performer during the mid-1950s, with sold out shows at the Desert Inn.
As a favorite of 20th Century Fox with production head Darryl Zanuck, Faye, 22, enjoyed ever-increasing popularity in her third year in movies after riding the coattails of radio singer Rudy Vallee from their Broadway days. After "You Can't Have Everything," Zanuck refined her on-screen looks to the more motherly type and gave her several prominent roles, including the following year's blockbuster hit, 1938's "In Old Chicago." She married bandleader Phil Harris in 1941 soon after her divorce from Martin. In one of the rare long-lasting Hollywood marriages, the two remained together for 54 years until his death in 1995.
Variety's film reviewer loved the melding of such a budding all-star cast, writing "You Can't Have Everything" was "a wild and hilarious film musical, one of the best of the series of this type which 20th Century-Fox has turned out."
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