IMDb रेटिंग
7.1/10
36 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंKatja's life collapses after the deaths of her husband and son in a bomb attack. After a time of mourning and injustice, Katja seeks revenge.Katja's life collapses after the deaths of her husband and son in a bomb attack. After a time of mourning and injustice, Katja seeks revenge.Katja's life collapses after the deaths of her husband and son in a bomb attack. After a time of mourning and injustice, Katja seeks revenge.
- पुरस्कार
- 17 जीत और कुल 25 नामांकन
Samia Muriel Chancrin
- Birgit
- (as Samia Chancrin)
Angélique Mundt
- Kriseninterventionsmitarbeiterin Haus
- (as Dr. Angélique Mundt)
कहानी
क्या आपको पता है
- ट्रिवियाThis is the second time that German actress Diane Kruger worked using her native language. The first was Inglourious Basterds (2009).
- गूफ़The blood spurting from Katja's wrists during the suicide attempt indicates she had cut through an artery. This can't be treated at home by wrapping a towel around her wrists; immediate medical treatment is required to repair the damaged artery.
- भाव
Katja Sekerci: [attacking Edda in court] Look at me, you cunt! I'll kill you!
- क्रेज़ी क्रेडिटThe title doesn't appear until the 10-minute mark.
- कनेक्शनFeatured in The 75th Annual Golden Globe Awards (2018)
- साउंडट्रैकMy Girl
Written by Smokey Robinson (as William Robinson Jr.) and Ronald White
Performed by The Temptations
फीचर्ड रिव्यू
I really wanted to see this but know that expectations for films can be a negative momentum that might destroy the enjoyment of the movie.
So, throughout the first act I was somewhat disappointed. Altough it is indeed a devastating scenario, it felt like the movie did not trust me to feel bad enough already - dark colours, endless rain and a camera that does not dare to move away from Diane Krugers face...It annoyed me that the creation of a uncanny atmosphere felt so forced.
Yet, as the movie progressed, I was more and more amazed. The 2nd act brought in new camera work, longer, steady shots that brought stability into the images as the characters tried to find theirs. The transistion of the court speaking the sentence and Katja getting her tattoo was one of the most memorable edits I have seen in a long time. Overall the courthouse scenes had a really defined feel and setting to them, which underlined the characters strong play.
The third act made me afraid, I was expecting it to turn out like a usual "tough woman goes maverick"-thriller. Not that I don't enjoy that, I have just seen it too much and it would seem undeserving for this story. But: This isn't a Hollywood production! The character was insecure, realistic, tangible, we could not see it coming how this drama would turn out but neither could the characters - and thats how life is. At times, we have no idea how to deal with tragedy, guilt, death, we're helpless in the face of institutional justice but also do not find ways to bring justice ourselves and when we are faced with our enemies, we might even doubt if we are the right ones to judge them. Hollywood gives these big questions simple answers, this movie does not.
After a bumpy start I grew to like this a lot.
So, throughout the first act I was somewhat disappointed. Altough it is indeed a devastating scenario, it felt like the movie did not trust me to feel bad enough already - dark colours, endless rain and a camera that does not dare to move away from Diane Krugers face...It annoyed me that the creation of a uncanny atmosphere felt so forced.
Yet, as the movie progressed, I was more and more amazed. The 2nd act brought in new camera work, longer, steady shots that brought stability into the images as the characters tried to find theirs. The transistion of the court speaking the sentence and Katja getting her tattoo was one of the most memorable edits I have seen in a long time. Overall the courthouse scenes had a really defined feel and setting to them, which underlined the characters strong play.
The third act made me afraid, I was expecting it to turn out like a usual "tough woman goes maverick"-thriller. Not that I don't enjoy that, I have just seen it too much and it would seem undeserving for this story. But: This isn't a Hollywood production! The character was insecure, realistic, tangible, we could not see it coming how this drama would turn out but neither could the characters - and thats how life is. At times, we have no idea how to deal with tragedy, guilt, death, we're helpless in the face of institutional justice but also do not find ways to bring justice ourselves and when we are faced with our enemies, we might even doubt if we are the right ones to judge them. Hollywood gives these big questions simple answers, this movie does not.
After a bumpy start I grew to like this a lot.
- highnemonkey
- 25 जन॰ 2018
- परमालिंक
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइटें
- भाषाएं
- इस रूप में भी जाना जाता है
- In the Fade
- फ़िल्माने की जगहें
- हैम्बर्ग, जर्मनी(main location)
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- US और कनाडा में सकल
- $3,21,011
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $10,455
- 31 दिस॰ 2017
- दुनिया भर में सकल
- $51,04,963
- चलने की अवधि1 घंटा 46 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.35 : 1
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