La Chambre interdite

Titre original : The Forbidden Room

NOTE IMDb

6,1/10

3,5 k

MA NOTE

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6 Videos

79 photos

Comedy Mystery

Ajouter une intrigue dans votre langueIn this non-linear amalgamation, submarine crewmen and a woodsman wend their way through a voyage of odd experiences.In this non-linear amalgamation, submarine crewmen and a woodsman wend their way through a voyage of odd experiences.In this non-linear amalgamation, submarine crewmen and a woodsman wend their way through a voyage of odd experiences.

Voir les informations de production sur IMDbPro

NOTE IMDb

6,1/10

3,5 k

MA NOTE

Voir les informations de production sur IMDbPro

Récompenses
- 4 victoires et 11 nominations au total

Anecdotes
Each sequence of The Forbidden Room is based on reviews and summaries of "lost" films, mostly from America in the early to mid-20th century. These films were destroyed intentionally or by natural degradation of the original film stock, and will likely never be seen again. Guy Maddin realized the only way he'd be able to see these lost movies was to make them himself.

Citations
Count Yugh: Please doctor, you must help me. I am plagued by bottoms.

Crédits fous
Sparks are credited in the cast section of the titles that go on during the movie, but are not seen in the end credits cast section.

Connexions
Featured in The 1000 Eyes of Dr. Maddin (2015)

Bandes originales
Verklärte Nacht
(from Chamber Symphony no. 2 in E flat minor op. 38)
Written by Arnold Schönberg (as Arnold Schoenberg)
Conducted by Arnold Schönberg (as Arnold Schoenberg)

Avis des utilisateurs28

Commenter

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Berlin to Bogata

On the face of it, this silly story within story romp through Saturday morning films of a previous generation should be ignored.

It is not a pastiche - and the strange punk lurid dream style is both art and annoyance. But the style is to no useful end.

And to force an audience to revisit bad early American cinema 'somewhere between Berlin and Bogotá' for 2 hours, with gentle mocking of early 20th century sexual strictures, is quite unfair.

It plays out as being more appropriate for a repeating segment in a high concept sketch show than a cinema production. A short experiment of 15 minutes maybe. But to inflict real people to this at full film length seems strangely tragic.