NOTE IMDb
6,7/10
13 k
MA NOTE
Après le mariage de Ben et George, George est congédié de son poste d'enseignant, les obligeant à rester chez des amis séparément le temps de vendre leur maison - une situation qui pèse lour... Tout lireAprès le mariage de Ben et George, George est congédié de son poste d'enseignant, les obligeant à rester chez des amis séparément le temps de vendre leur maison - une situation qui pèse lourdement sur toutes les personnes impliquées.Après le mariage de Ben et George, George est congédié de son poste d'enseignant, les obligeant à rester chez des amis séparément le temps de vendre leur maison - une situation qui pèse lourdement sur toutes les personnes impliquées.
- Récompenses
- 2 victoires et 24 nominations au total
Darren E. Burrows
- Elliot
- (as Darren Burrows)
Harriet Sansom Harris
- Honey
- (as Harriet Harris)
Histoire
Le saviez-vous
- AnecdotesBen's paintings were done by painter Boris Torres, who is also director Ira Sachs' husband.
- GaffesWhen George advises the young girl playing a Frédéric Chopin piece on the piano (supposedly without sufficient feeling), that she should let the music take her somewhere, surprise or even overwhelm her, he says that this is as important as "knowing the difference between a half-step and a semitone". Fact is, a half-step IS a semitone; there is no difference at all.
- ConnexionsFeatured in The Nostalgia Critic: Does PG Mean Anything Anymore? (2016)
- Bandes originalesBerceuse in D-Flat Major, Op. 57
Written by Frédéric Chopin
Performed by Idil Biret
Courtesy of Naxos of America, Inc.
Commentaire à la une
LOVE IS STRANGE is an interesting film, and one that will probably turn off a lot of viewers once they know what the concept is, but I thought it was a sweet portrayal of an aging couple who just happen to be gay. Alfred Molina and John Lithgow play Ben and George, a recently married couple who have been partners for 39 years. However, once Ben's employer finds out about his marriage (he is the music teacher at a Catholic school), he loses his job and the couple are forced to sell their apartment because they can't afford it anymore. In the meantime while they look for a new apartment, they have to live separately with family and friends. And therein lies the trouble: they haven't been apart in all those years of living together, and the film explores how it affects them emotionally as well as the people they stay with.
While watching this I tried to keep the title at the front of my mind at all times, but I still don't know quite how it might strictly apply. The closest thing I can come up with is George's nephew's family, who George ends up staying with. On the one hand, you have this aging couple who haven't been apart a day in their lives together who are now forced to be apart through circumstance; but then you have George's nephew and his wife who live in the same house with their son, and yet each of them feels separated from the other by the way they live their lives. George's nephew is a film producer who has long days away from home, while his wife (played by Marisa Tomei) is a writer who spends most of her time at home trying to write. And on top of that, their son keeps to himself a lot and spends most of his time with Vlad, his only friend at school. The general sense, or message, I got from the film is that it takes losing something to appreciate its true value.
Still, whatever it was all supposed to add up to I thought that the performances were excellent. I haven't seen John Lithgow and Alfred Molina this good in years, and they were very believable as a couple who had been together for so long. Marisa Tomei also did great work as George's nephew's wife. I should also mention the soundtrack composed mostly of Chopin, which I really loved. My favorite piece was the "Raindrop" prelude which plays a few times during the film, and my favorite use of it was during a private piano lesson that Ben gives to one of his students. I also appreciated the nods to Ben's religious faith, which never came into conflict with his personal life. Last, but not least, the cinematography and cityscape shots were extremely beautiful.
Still, there is one thing which lessens the film's impact in my opinion, and it has to do with the film's ending (of which I won't spoil the details). All I will say is that it feels more like an epilogue in the sense that there is a time jump (and something else) which came completely out of nowhere. It almost felt like they weren't quite sure how to wrap up the film, so they jumped ahead in an effort to give the story some closure. I didn't hate the ending, but I felt that maybe a different ending would have been just as good, possibly better. Still, I liked the film overall. It was a sweet indie drama that felt like a slice of life. On a side note, it kind of makes me never want to live in New York.
While watching this I tried to keep the title at the front of my mind at all times, but I still don't know quite how it might strictly apply. The closest thing I can come up with is George's nephew's family, who George ends up staying with. On the one hand, you have this aging couple who haven't been apart a day in their lives together who are now forced to be apart through circumstance; but then you have George's nephew and his wife who live in the same house with their son, and yet each of them feels separated from the other by the way they live their lives. George's nephew is a film producer who has long days away from home, while his wife (played by Marisa Tomei) is a writer who spends most of her time at home trying to write. And on top of that, their son keeps to himself a lot and spends most of his time with Vlad, his only friend at school. The general sense, or message, I got from the film is that it takes losing something to appreciate its true value.
Still, whatever it was all supposed to add up to I thought that the performances were excellent. I haven't seen John Lithgow and Alfred Molina this good in years, and they were very believable as a couple who had been together for so long. Marisa Tomei also did great work as George's nephew's wife. I should also mention the soundtrack composed mostly of Chopin, which I really loved. My favorite piece was the "Raindrop" prelude which plays a few times during the film, and my favorite use of it was during a private piano lesson that Ben gives to one of his students. I also appreciated the nods to Ben's religious faith, which never came into conflict with his personal life. Last, but not least, the cinematography and cityscape shots were extremely beautiful.
Still, there is one thing which lessens the film's impact in my opinion, and it has to do with the film's ending (of which I won't spoil the details). All I will say is that it feels more like an epilogue in the sense that there is a time jump (and something else) which came completely out of nowhere. It almost felt like they weren't quite sure how to wrap up the film, so they jumped ahead in an effort to give the story some closure. I didn't hate the ending, but I felt that maybe a different ending would have been just as good, possibly better. Still, I liked the film overall. It was a sweet indie drama that felt like a slice of life. On a side note, it kind of makes me never want to live in New York.
- brchthethird
- 8 févr. 2015
- Permalien
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- How long is Love Is Strange?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Love Is Strange
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 2 262 223 $US
- Week-end de sortie aux États-Unis et au Canada
- 117 276 $US
- 24 août 2014
- Montant brut mondial
- 3 057 388 $US
- Durée1 heure 34 minutes
- Couleur
- Rapport de forme
- 1.85 : 1
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By what name was Love is Strange (2014) officially released in India in English?
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