Ce film explore la relation complexe entre un détective privé en difficulté et la femme disparue qu'il a été engagé pour l'aider à retrouver.Ce film explore la relation complexe entre un détective privé en difficulté et la femme disparue qu'il a été engagé pour l'aider à retrouver.Ce film explore la relation complexe entre un détective privé en difficulté et la femme disparue qu'il a été engagé pour l'aider à retrouver.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 3 nominations au total
Histoire
Le saviez-vous
- AnecdotesEach of the long takes was shot on an entire 1000-foot reel of 35mm film.
- Crédits fousNo hidden cuts were used in the making of this motion picture.
- ConnexionsFeatures Le Carnaval des âmes (1962)
- Bandes originalesI'm So Lonesome I Could Cry
Written by Hank Williams
Performed by Del Shannon
Published by Acuff Rose Music (BMI)
Administered by Sony/ATV Songs LLC (BMI)
Courtesy of Mole Hole Records
By arrangement with the Estate of Del Shannon
Commentaire à la une
I really like Film Noir and "Too Late" tries to be one but falls short. I appreciate indie films because they avoid the usual Hollywood mainstream stuff and I cut them a lot of slack, but this picture doesn't help you out. It is disjointed and not well written but I think director Dennis Hauck is on to something.
This effort, however, tends to lose the viewer with time frame juxtaposition which is too clever by half. I had to work at it to sort out the sequence of events and I think I nearly caught up by the end of the picture. Add to this the scenario which often lapses into the surreal and some overwritten dialogue (Dashiel Hammett is safe), and the cake falls.
John Hawkes was good as the detective but has an emaciated look. He is a stretch to be a hard-boiled 'noir' hero, which is a minor objection, but I hope Hauck perseveres and refines his ideas. There is a need to counteract the current trend toward the populist dreck that shows up in the multiplexes nowadays.
This effort, however, tends to lose the viewer with time frame juxtaposition which is too clever by half. I had to work at it to sort out the sequence of events and I think I nearly caught up by the end of the picture. Add to this the scenario which often lapses into the surreal and some overwritten dialogue (Dashiel Hammett is safe), and the cake falls.
John Hawkes was good as the detective but has an emaciated look. He is a stretch to be a hard-boiled 'noir' hero, which is a minor objection, but I hope Hauck perseveres and refines his ideas. There is a need to counteract the current trend toward the populist dreck that shows up in the multiplexes nowadays.
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Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 60 438 $US
- Week-end de sortie aux États-Unis et au Canada
- 7 000 $US
- 20 mars 2016
- Montant brut mondial
- 60 438 $US
- Durée1 heure 47 minutes
- Couleur
- Rapport de forme
- 2.39 : 1
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