I really wanted to like this show, but it left me totally cold. First, while the characters go through major life events and *talk* like they're deep, they're actually all thinly written ciphers--after watching all 8 episodes I honestly wouldn't describe any of the characters as having a distinct personality. The main character spends half the series mourning her mother, but their relationship is so underwritten that it's hard to really feel the impact of her death other than that we're told it was devastating. The out of order nature of the flashbacks also makes the story hard to follow and left me ambivalent about what was happening. (How can you care about characters who suddenly appear out of nowhere? Or about a character's mistakes when the show skips right past the consequences? For example, why bother telling us about someone's heroin problem if we don't learn anything more about it?) Hahn is fine here, but I don't think she's doing anything particularly new and she's really not even doing that much--Sarah Pidgeon as the younger version of Hahn's character does most of the heavy lifting and while she's very good, good performances aren't enough to elevate what's actually pretty thinly written material. The last episode also hints at a major backstory that barely gets explained (and a result leaves Hahn's character looking crazy), the brother and sister have a weird incest-y vibe, and, though I adore Merrit Wever, she feels miscast and way too young to be playing the mother.
