NOTE IMDb
5,9/10
20 k
MA NOTE
Un pianiste de renom abandonne sa carrière en raison de son trac paralysant. Il revient sur scène 5 ans après et voit qu'une menace de mort est écrite sur sa partition. Il va devoir jouer le... Tout lireUn pianiste de renom abandonne sa carrière en raison de son trac paralysant. Il revient sur scène 5 ans après et voit qu'une menace de mort est écrite sur sa partition. Il va devoir jouer le meilleur concert de sa vie pour sauver sa femme.Un pianiste de renom abandonne sa carrière en raison de son trac paralysant. Il revient sur scène 5 ans après et voit qu'une menace de mort est écrite sur sa partition. Il va devoir jouer le meilleur concert de sa vie pour sauver sa femme.
- Récompenses
- 5 victoires et 12 nominations au total
Beth Rollan
- Emma's Publicist
- (as a different name)
Richard Newby
- Executive
- (as Richard A. Newby)
Eric Goode
- Tom's Chauffeur
- (as Eric L. Goode)
Histoire
Le saviez-vous
- AnecdotesWood had worked with a teacher three weeks prior to going to Barcelona and found it stressful having to play the piano and speak at the same time saying, "It was incredibly technical [...] lots of moments where it was jumping from where I'd play, listen to a click, listen to music, have to be in the right place and the right time and hear dialogue and repeat dialogue".
- GaffesThe opening drive into Chicago begins southbound on Lake Shore Drive, then northbound on LaSalle (recognizable from the Batman films), then south on Wabash, then suddenly across the river, coming east on Washington, where the car finally stops at the Lyric Opera building. The interiors were shot elsewhere, so nothing looks like the actual hall.
- Crédits fous"The Impossible Piece" plays as the end credits roll.
- ConnexionsFeatured in Dont' Miss a Note: The Making of Grand Piano (2014)
- Bandes originalesTen Happy Fingers
Written by Dr. Seuss (as Theodore Geisel) and Friedrich Hollaender (as Frederick Hollander)
from Les 5000 doigts du Dr. T (1953) (uncredited)
Used by permission of Shapiro Bernstein Spain Mood Music Division
Courtesy of Columbia Pictures Industries,Inc.
Under license from Sony Pictures Music group
Commentaire à la une
Tom Selznick is an acclaimed concert pianist. However, after messing up a key performance, he withdrew from the public eye. He agreed to perform again at a concert-tribute to his departed mentor. But as he began to play, he noted a threat written on his sheet music. He should play perfectly to the note, or his wife will die.
Elijah Wood plays Tom with his trademark wide-eyed style of acting. This film is practically a one-man show for Wood as all the focus was on him as he played for his wife's life while trying to psych out his unseen adversary. The constant look of fear on his face made this film work. For a non-piano player like myself, Wood's piano playing looked wonderfully realistic.
The villain was played by John Cusack, whom we only hear for the most part as his chilling voice dictated what his captive should do. Cusack succeeds to convey that sinister feel by his vocal inflections alone. We only see his face for a brief while towards the end which was honestly a bit anti-climactic.
The glamorous Kelly Bishe plays Tom's wife Emma, a celebrated actress who organized Tom's comeback event. Too bad, there really was not much for her to do here. I have to say though that I loved her haunting vocal solo (if that was actually her singing).
Actually the whole situation was impossible. While Tom was passionately playing complicated pieces, he was in constant communication with his hostage-taker via an earpiece. During certain movements in the concerto, Tom was actually able to run off the stage to go to the dressing room to investigate. He can even text while playing piano!
I don't really know what kind of superhuman ability Tom has to keep on playing perfectly while all of this stressful things were swirling around him. If you are able to suspend your disbelief in the incredibly improbable flow of events unfolding on the screen, you will get drawn into the excitement and tension of it all.
This film is not very long, only an hour and twenty minutes. The whole situation was bordering on the absurd, yet the way director Eugenio Mira staged it, urgent suspense still prevailed. The cinematography was lush. The editing was well done. The music was otherworldly in its beauty.
I enjoyed it. The middle section really had me on the edge of my seat. The concluding act was rather over-the-top, but overall this was a neat thriller that is worth to check out. 6/10.
Elijah Wood plays Tom with his trademark wide-eyed style of acting. This film is practically a one-man show for Wood as all the focus was on him as he played for his wife's life while trying to psych out his unseen adversary. The constant look of fear on his face made this film work. For a non-piano player like myself, Wood's piano playing looked wonderfully realistic.
The villain was played by John Cusack, whom we only hear for the most part as his chilling voice dictated what his captive should do. Cusack succeeds to convey that sinister feel by his vocal inflections alone. We only see his face for a brief while towards the end which was honestly a bit anti-climactic.
The glamorous Kelly Bishe plays Tom's wife Emma, a celebrated actress who organized Tom's comeback event. Too bad, there really was not much for her to do here. I have to say though that I loved her haunting vocal solo (if that was actually her singing).
Actually the whole situation was impossible. While Tom was passionately playing complicated pieces, he was in constant communication with his hostage-taker via an earpiece. During certain movements in the concerto, Tom was actually able to run off the stage to go to the dressing room to investigate. He can even text while playing piano!
I don't really know what kind of superhuman ability Tom has to keep on playing perfectly while all of this stressful things were swirling around him. If you are able to suspend your disbelief in the incredibly improbable flow of events unfolding on the screen, you will get drawn into the excitement and tension of it all.
This film is not very long, only an hour and twenty minutes. The whole situation was bordering on the absurd, yet the way director Eugenio Mira staged it, urgent suspense still prevailed. The cinematography was lush. The editing was well done. The music was otherworldly in its beauty.
I enjoyed it. The middle section really had me on the edge of my seat. The concluding act was rather over-the-top, but overall this was a neat thriller that is worth to check out. 6/10.
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Sans fausse note
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 22 555 $US
- Week-end de sortie aux États-Unis et au Canada
- 2 964 $US
- 9 mars 2014
- Montant brut mondial
- 1 618 085 $US
- Durée1 heure 30 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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By what name was Grand Piano (2013) officially released in India in English?
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