I've never watched a car race in my life. I have absolutely no knowledge of the historic events surrounding the Ford and Ferrari motor companies. None of those two things mattered in my viewing experience of "Ford v Ferrari". Not only does it allow the viewer to be a complete clean slate, but it provides the utmost of entertainment on almost every front.
For a very basic overview, this movie tells the story of how the Ford Motor Company was struggling in the 1960s and thus turned to racing cars to give their image a boost. The problem? For years, Ferrari has been the gold standard in that theater. But with Carroll Shelby (Matt Damon) overseeing the project and the volatile Ken Miles (Christian Bale) in the driver's seat, they set out to take down Ferrari at the 1966 24 Hours of Le Mans race.
One of the main strengths of "Ford v Ferrari" is that it tells a bunch of different stories within the basic framework. Not only is it the clash that the title anticipates, but also a story of personal redemption for Shelby, one of personal goal-achievement for Miles, and even a healthy dose of "big corporation screwing over the little guy" thrown in. All of those angles are very distinct, with nothing muddled along the way. The 2.5 hour runtime really helps with this, allowing such arcs to play out in their entirety.
The acting is also incredible from basically the entire cast. Bale gives a unique, quirky performance as seemingly only he can, Damon is solid (as always), and everyone else does their part admirably. Especially affecting are Miles' wife Mollie (Caitriona Balfe) and son Peter (Noah Jupe), who both provide much of the sentimental emotions present in the film. A specific scene where Ken explains to Peter exactly what he does on each individual racing lap is as good as acting gets.
There's also a never-ending sense of forward momentum and just overall fun to "Ford v Ferrari". It never takes itself too seriously, yet it isn't a comedy. It's long, but doesn't feel that way due to the expert pacing--a perfect balance of pulse-pounding action scenes and slower, more emotional scenes within the understated 1960s period feel. Director James Mangold probably deserves a good amount of the credit for making this all congeal together as well as it did.
Overall, this is a spectacular film precisely because it can hit audiences in so many different ways. Whether through the action, emotion, true story, or underlying themes, most viewers will be able to find something to enjoy here. Even if, like I said before, no previously knowledge of racing is present.
