Secret Identity

we cannot call a thriller as thriller if all the ingredients of the recipe is exposed right in front of your eyes within 5 minutes running. we cannot call a mystery a mystery if the 'whodoneit' is already so obviously shown from the early stage of a story. using often with the flash-backs to explain what happened years ago also won't help a transition of the plot but only shows the limit of a screenplay and its director. one of the worse thing is a so-called movie thriller is implementing the constant non-stop sound track to support the tension of a suppose-to-be-suspenseful movie, by the annoying endless non-stop drumming dong, dong, dong to set the tempo but in the meantime blocking the clearance of all the dialog is another stupid arrangement of this movie. no matter how you tried your best to make sudden twists later in the plot or the scenario, it's just rubbish and crap, only horror movies or brain-dead farces that claimed themselves as 'COMEDY' do not need logic. i've also found out that recently more and more lousy screenplays been proved into production (not just Hollywood) and this one in particular, is a living proof of what i'm saying here. i just don't understand why nobody in the production of this movie, including the director never pointed out the absolutely unacceptable flaws and holes of this shitty screenplay. richard gere should have used his influence to point out to the production people what would not work, what should be more logic of this screenplay, otherwise, the movie would also damage his own image. if i were him, i would not and could not perform well if the screenplay so obviously stupidly ridiculous. but maybe it explains why he could be an actor and i not.

this is a horrible movie. avoid as best as you can.