Deux adolescents sont liés par leur amour d'une émission de télévision surnaturelle, mais celle-ci est mystérieusement annulée.Deux adolescents sont liés par leur amour d'une émission de télévision surnaturelle, mais celle-ci est mystérieusement annulée.Deux adolescents sont liés par leur amour d'une émission de télévision surnaturelle, mais celle-ci est mystérieusement annulée.
- Récompenses
- 4 victoires et 44 nominations au total
Timothy Griffin Allan
- Lance
- (as Timothy Allan)
Marlyn Bandiero
- Brenda's Friend
- (as Marilyn Bandiero)
Histoire
Le saviez-vous
- AnecdotesJust like the rest of the film, The Pink Opaque segments that appear throughout the film were also shot in 35mm, but later transferred to both VHS and Betamax in post-production to create the show's different period-specific degradations.
- GaffesIn the voting machine, the ballot shows the familiar names of candidates in the 1996 U.S. Presidential Election ("Bill Clinton / Al Gore"), but ballots for major elections have the full names of those running. The candidates should be listed as William J. Clinton, Albert A. Gore, Robert J. Dole, etc.
This is not in any way true: candidates are routinely listed with diminutives/nicknames/initials on the ballot all the time if they're more commonly known by that name.
- Citations
Maddy: Time wasn't right. It was moving too fast. And then I was 19. And then I was 20. I felt like one of those dolls asleep in the supermarket. Stuffed. And then I was 21. Like chapters skipped over on a DVD. I told myself, "This isn't normal. This isn't normal. This isn't how life is supposed to feel."
- Bandes originalesAnthems for a Seventeen Year-Old Girl
Written by Brendan Canning, Emily Haines, Kevin Drew, Justin Peroff, Jessica Moss, Charles Spearin, James Shaw and John Crossingham
Performed by yeule
yeule appears courtesy of Bayonet Records
Commentaire à la une
Writer/director Jane Schoenbrun made a highly atmospheric little film a couple of years ago called ' We're All Going To The Worlds Fair' on a shoestring budget but the film left an inedible impression on me that I included it on my ten best of the year.
The follow up continues the same microscopic view of adolescence, loneliness and social exclusion that still retains the same wonderful wintry neon feel as the previous film. See also the classic 'It Follows' and ' Rivers Edge'-these all perfectly capture the inner feelings of the characters; bored teenagers in middle small town America caught in a mystery.
It is talky and slow and I get if some will be put off. I didn't take to the characters breaking the 'fourth wall' and start speaking directly to the camera; it felt like the audience had to be spoon fed exactly what the character is feeling.
The acting is excellent from Justice Smith and Brigette Lunday-Paine and young Ian Foreman as the young Owen. Bringing a vulnerable, isolated look on the faces. Is there a hint of abuse here?
I felt like I did in the 90s with 'Twin Peaks' where I wanted to dive straight into the TV set and be in the dark and magical small US town (there are lots of 'Lynchian' references here, not just the photography and sound but the musical interlude in the small bar) Like the similar 'Beau is Afraid' (ageing) this is a smart, extremely well done expressionist horror that I may not want to see again in a hurry but will stay in my mind for a long time.
The follow up continues the same microscopic view of adolescence, loneliness and social exclusion that still retains the same wonderful wintry neon feel as the previous film. See also the classic 'It Follows' and ' Rivers Edge'-these all perfectly capture the inner feelings of the characters; bored teenagers in middle small town America caught in a mystery.
It is talky and slow and I get if some will be put off. I didn't take to the characters breaking the 'fourth wall' and start speaking directly to the camera; it felt like the audience had to be spoon fed exactly what the character is feeling.
The acting is excellent from Justice Smith and Brigette Lunday-Paine and young Ian Foreman as the young Owen. Bringing a vulnerable, isolated look on the faces. Is there a hint of abuse here?
I felt like I did in the 90s with 'Twin Peaks' where I wanted to dive straight into the TV set and be in the dark and magical small US town (there are lots of 'Lynchian' references here, not just the photography and sound but the musical interlude in the small bar) Like the similar 'Beau is Afraid' (ageing) this is a smart, extremely well done expressionist horror that I may not want to see again in a hurry but will stay in my mind for a long time.
- dweston-38669
- 15 juin 2024
- Permalien
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- How long is I Saw the TV Glow?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Vi el brillo del televisor
- Lieux de tournage
- 601 Main St, Asbury Park, New Jersey, États-Unis(The Saint music venue)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 5 017 817 $US
- Week-end de sortie aux États-Unis et au Canada
- 119 015 $US
- 5 mai 2024
- Montant brut mondial
- 5 383 520 $US
- Durée1 heure 40 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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What is the Canadian French language plot outline for I Saw the TV Glow (2024)?
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