L'histoire vraie du Capitaine Richard Phillips et du détournement en 2009 par des pirates somaliens du MV Maersk Alabama, le premier navire de fret américain à être détourné en deux cent ans... Tout lireL'histoire vraie du Capitaine Richard Phillips et du détournement en 2009 par des pirates somaliens du MV Maersk Alabama, le premier navire de fret américain à être détourné en deux cent ans.L'histoire vraie du Capitaine Richard Phillips et du détournement en 2009 par des pirates somaliens du MV Maersk Alabama, le premier navire de fret américain à être détourné en deux cent ans.
- Nommé pour 6 Oscars
- 17 victoires et 154 nominations au total
Histoire
Le saviez-vous
- AnecdotesThe line "Look at me! I'm the captain now!", was an ad-lib by Barkhad Abdi.
- GaffesCaptain Phillips unberths and leaves port all by himself. In reality, there would be a local pilot on board giving steering and engine commands which the captain then repeats to his bridge crew.
- Citations
Muse: Look at me.
Captain Richard Phillips: Sure.
Muse: Look at me.
Captain Richard Phillips: Sure.
Muse: I'm the captain now.
- Crédits fousBefore the end credits, it reads: "Richard Phillips returned to Vermont on April 17, 2009 and was reunited with his family. Abduwali Muse was convicted of piracy and is currently serving 33 years at the Federal Correctional Complex, Terre Haute, Indiana. On July 25, 2010, Captain Phillips went back to sea."
- ConnexionsFeatured in The Tonight Show with Jay Leno: Épisode #22.48 (2013)
Commentaire à la une
Although it is basically a true story, I must be one of the few who did not know the ending already, since I had never heard this specific story. How much it matters if you already do or not I cannot say, but for me the film was not really about the resolution until near the end because for most of the time it is about the moment and what is going on there and then. It does this by breaking the story down pretty well into such contained but yet connected moments so that it is effective at the time and also has a flow to it.
There are moments where it doesn't really keep that up – some of them it needs, but others it doesn't. In the tension and in the lulls, the film does well to keep things evenly balanced so that you don't completely turn against the Somalis as if they were generic baddies, but at the same time it never pushes anything down your throat about their situation. The one thing I was surprised that it came on strong about was the military response. I'm not sure if the film was trying to make a comment by playing it quite so "Hollywood" at the end, but to me it did feel a bit odd in the film to have the music, camera-work and dialogue of a Michael Bay movie occurring in a situation where they were facing down a couple of guys with more feet than shoes. It still worked, don't get me wrong, but at the same time it had a generic feel to this aspect that I could have done without – particularly since earlier it seemed smarter than that.
What helps it in these moments (and throughout) is that Hanks is great. He plays it out in a natural and convincing way, whether he is over- confident or in shock. Much has been made of Abdi's performance and I do see why, because it is frequently easy to forget that he is acting because he does seem quite real throughout. The supporting cast perhaps have fewer opportunities for nuance but they are still convincing and play their parts well, particularly those in the confines of the lift raft.
Captain Phillips could have been a little shorter and been better for it and, while I don't totally see the film that others did, I did still enjoy it. It is tense and yet nuanced throughout, only really producing some aspects that don't work quite as well in the meantime.
There are moments where it doesn't really keep that up – some of them it needs, but others it doesn't. In the tension and in the lulls, the film does well to keep things evenly balanced so that you don't completely turn against the Somalis as if they were generic baddies, but at the same time it never pushes anything down your throat about their situation. The one thing I was surprised that it came on strong about was the military response. I'm not sure if the film was trying to make a comment by playing it quite so "Hollywood" at the end, but to me it did feel a bit odd in the film to have the music, camera-work and dialogue of a Michael Bay movie occurring in a situation where they were facing down a couple of guys with more feet than shoes. It still worked, don't get me wrong, but at the same time it had a generic feel to this aspect that I could have done without – particularly since earlier it seemed smarter than that.
What helps it in these moments (and throughout) is that Hanks is great. He plays it out in a natural and convincing way, whether he is over- confident or in shock. Much has been made of Abdi's performance and I do see why, because it is frequently easy to forget that he is acting because he does seem quite real throughout. The supporting cast perhaps have fewer opportunities for nuance but they are still convincing and play their parts well, particularly those in the confines of the lift raft.
Captain Phillips could have been a little shorter and been better for it and, while I don't totally see the film that others did, I did still enjoy it. It is tense and yet nuanced throughout, only really producing some aspects that don't work quite as well in the meantime.
- bob the moo
- 23 mai 2014
- Permalien
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Capitán Phillips
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 55 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 107 100 855 $US
- Week-end de sortie aux États-Unis et au Canada
- 25 718 314 $US
- 13 oct. 2013
- Montant brut mondial
- 218 791 811 $US
- Durée2 heures 14 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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