Inception
- 2010
- Tous publics
- 2h 28min
Un voleur qui s'approprie des secrets d'entreprise à l'aide d'une technique de partage de rêves se voit contraint d'effectuer la tâche inverse : implanter une idée dans l'esprit d'un PDG, po... Tout lireUn voleur qui s'approprie des secrets d'entreprise à l'aide d'une technique de partage de rêves se voit contraint d'effectuer la tâche inverse : implanter une idée dans l'esprit d'un PDG, pour revoir ses enfants.Un voleur qui s'approprie des secrets d'entreprise à l'aide d'une technique de partage de rêves se voit contraint d'effectuer la tâche inverse : implanter une idée dans l'esprit d'un PDG, pour revoir ses enfants.
- Récompensé par 4 Oscars
- 159 victoires et 220 nominations au total
Elliot Page
- Ariadne
- (as Ellen Page)
What to Watch If You Love 'Inception'
What to Watch If You Love 'Inception'
Here are three streaming picks that capture the spirit of Christopher Nolan's mind-bending masterpiece in their own way.
Histoire
Le saviez-vous
- AnecdotesIn an effort to combat confusion, television broadcasts in Japan include text in the upper-left corner of the screen to remind viewers in which level of the dream a specific scene takes place.
- GaffesWhen Ariadne and Cobb are at the café, a man in a yellow jacket passes behind Cobb. The camera switches back and forth between Cobb and Ariadne several times. When it switches back to Cobb, the man in the yellow jacket passes once again. The person in the jacket is a projection and based on what the movie explains, projections behave a lot like extras. This means the same projection may reappear like that.
- Crédits fousAt the end of the credits Édith Piaf's "Non, Je Ne Regrette Rien" plays at normal speed, then slows down to the speed it was at the beginning of the film during Hans Zimmer's score and throughout the movie. Then we see the title stop in the center of the screen as the song ends.
- ConnexionsEdited into The Paul Behragam Talk Show: "Balto" R&T Part 5 (2015)
- Bandes originalesNon, je ne Regrette rien
Music by Charles Dumont
Lyrics by Michel Vaucaire
Performed by Édith Piaf
Courtesy of EMI Music France
Under license from EMI Film & Television Music
Commentaire à la une
Inception is truly one of a kind. A concept which has long gestated in Christopher Nolan's mind, his eye for drama mixed with his large scale sensibilities ring true in Blockbuster season making Inception a true original in the sea of reboots, remakes and sequels.
To try and explain Inceptions many plot twists and incredibly intelligent arcs, would be a foolish task. As Nolan himself has been reluctant to. The best way to approach the film would be with an open mind, if you are prepared to be taken on a ride of a lifetime, then trust that you 100% will. If Avatar was a seminal film in technology (although coming out as a rather poor film, in my opinion), then Inception is seminal in it's storytelling. With a 148 minute running time, you would expect a lot to take place, but what you wouldn't expect is the pace of it all. I did not think at one time in the film about how long was left. I was simply blown away by the depth in every single part of the film. If my enthusiasm for the storytelling aspect of the film has left you worried about the spectacle, then don't worry. They are, as hinted in the trailer, incredible, looking real and unbelievable simultaneously. The most pleasing thing about the action set pieces, is that they are genuinely used to illustrate the story, rather than to blow stuff up a la Michael Bay.
With this complex movie in it's high concept, a stellar cast is needed. And Nolan as always, delivers with just that. This is vintage DiCaprio, perhaps only equalled in The Aviator, which is even more impressive as his role as Cobb in Inception is not a showy one, needing DiCaprio to be the constant at the centre of the film. And he pulls off Cobb's emotional contradictions sublimely. The rest of the cast members all shine in parts of the films, Cillian Murphy shows off his usually non-existent tender side, Gordon-Levitt bottles his usual charm for his confidently reserved turn as the reliable Arthur, Watanabe is devilish as the seemingly ambiguous Saito, Page shows why she's the next big female star and Tom Hardy revels in being the comic relief of the film compared to his recent turns as decidedly psychopathic characters.
Overall, Nolan has indeed surpassed himself. He has created a world as expansive as his Gotham, a plot dwarfing the intricacies of Memento and one which blows The Prestige's cinematic reveal out of the water. This is truly unmissable cinema. Revel in it, we've still got to wait a whole two years before Batman 3.
To try and explain Inceptions many plot twists and incredibly intelligent arcs, would be a foolish task. As Nolan himself has been reluctant to. The best way to approach the film would be with an open mind, if you are prepared to be taken on a ride of a lifetime, then trust that you 100% will. If Avatar was a seminal film in technology (although coming out as a rather poor film, in my opinion), then Inception is seminal in it's storytelling. With a 148 minute running time, you would expect a lot to take place, but what you wouldn't expect is the pace of it all. I did not think at one time in the film about how long was left. I was simply blown away by the depth in every single part of the film. If my enthusiasm for the storytelling aspect of the film has left you worried about the spectacle, then don't worry. They are, as hinted in the trailer, incredible, looking real and unbelievable simultaneously. The most pleasing thing about the action set pieces, is that they are genuinely used to illustrate the story, rather than to blow stuff up a la Michael Bay.
With this complex movie in it's high concept, a stellar cast is needed. And Nolan as always, delivers with just that. This is vintage DiCaprio, perhaps only equalled in The Aviator, which is even more impressive as his role as Cobb in Inception is not a showy one, needing DiCaprio to be the constant at the centre of the film. And he pulls off Cobb's emotional contradictions sublimely. The rest of the cast members all shine in parts of the films, Cillian Murphy shows off his usually non-existent tender side, Gordon-Levitt bottles his usual charm for his confidently reserved turn as the reliable Arthur, Watanabe is devilish as the seemingly ambiguous Saito, Page shows why she's the next big female star and Tom Hardy revels in being the comic relief of the film compared to his recent turns as decidedly psychopathic characters.
Overall, Nolan has indeed surpassed himself. He has created a world as expansive as his Gotham, a plot dwarfing the intricacies of Memento and one which blows The Prestige's cinematic reveal out of the water. This is truly unmissable cinema. Revel in it, we've still got to wait a whole two years before Batman 3.
- marcusdean118
- 12 juil. 2010
- Permalien
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- El origen
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 160 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 292 587 330 $US
- Week-end de sortie aux États-Unis et au Canada
- 62 785 337 $US
- 18 juil. 2010
- Montant brut mondial
- 839 030 630 $US
- Durée2 heures 28 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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