Une romancière d'amour en tournée de lecture avec son modèle de couverture est victime d'une tentative d'enlèvement qui l'entraîne dans une aventure féroce dans la jungle.Une romancière d'amour en tournée de lecture avec son modèle de couverture est victime d'une tentative d'enlèvement qui l'entraîne dans une aventure féroce dans la jungle.Une romancière d'amour en tournée de lecture avec son modèle de couverture est victime d'une tentative d'enlèvement qui l'entraîne dans une aventure féroce dans la jungle.
- Récompenses
- 3 victoires et 10 nominations
Stephen Lang
- Fantasy Villain
- (as Slang)
Histoire
Le saviez-vous
- AnecdotesRyan Reynolds was originally sought after for the lead male role, marking this a reunion with Sandra Bullock after La proposition (2009) but a deal couldn't be reached.
- GaffesAfter Loretta removes Alan's leeches, the wounds are immediately shown as dark circles. However, when leeches latch on they release an anti-coagulant to prevent blood clotting and make it easier to feed, so when a leech is removed, there would be profuse bleeding which would likely continue for hours.
- Citations
Loretta: Why are you so handsome?
Jack Trainer: My father was a weatherman.
- Crédits fousThere is a short scene after the first part of the credits.
- Bandes originalesTrue
Written by Gary Kemp
Performed by Spandau Ballet
Courtesy of Parlophone Records Limited
By arrangement with Warner Music Group Film & TV Licensing
Commentaire à la une
The Lost City has pieces that work and pieces that don't. Placing pretenders into an actual adventure is good for laughs and heart, yet much of this script is generic. Unimaginative MacGuffins, flat villains, and predictable romances are individually forgivable, but together, they override the premise's charm. Furthermore, the dialogue, humor, and plot devices are subpar. The cast enhances the material (especially Pitt and Radcliffe), but some scenes are groaners. Tatum's charisma shines through and Pitt's cameo provides flavor, but that isn't enough to pull The Lost City out of mediocrity. It isn't painful, but The Lost City misses more than it hits.
Meanwhile, The Lost City's filmmaking is average. Its minor positives are the cinematography (intermittently dramatizing comedy and action), the sound (selling the combat and jungle setting), the production design (primarily real but often computerized), and the effects (employing real explosions amongst the CGI). Conversely, the editing occasionally sags (lingering on unessential jokes) and the music is distractingly trendy (forcing fun, rather than serving the narrative). Lastly, The Lost City lacks cohesion. Its humor and emotions never tonally blend, and instead take turns (which disconnects viewers). Ultimately, The Lost City has mild appeal, but functions inconsistently.
Writing: 3/10 Direction: 3/10 Cinematography: 6/10 Acting: 5/10 Editing: 4/10 Sound: 6/10 Score/Soundtrack: 4/10 Production Design: 6/10 Casting: 8/10 Effects: 6/10
Overall Score: 5.1/10.
Meanwhile, The Lost City's filmmaking is average. Its minor positives are the cinematography (intermittently dramatizing comedy and action), the sound (selling the combat and jungle setting), the production design (primarily real but often computerized), and the effects (employing real explosions amongst the CGI). Conversely, the editing occasionally sags (lingering on unessential jokes) and the music is distractingly trendy (forcing fun, rather than serving the narrative). Lastly, The Lost City lacks cohesion. Its humor and emotions never tonally blend, and instead take turns (which disconnects viewers). Ultimately, The Lost City has mild appeal, but functions inconsistently.
Writing: 3/10 Direction: 3/10 Cinematography: 6/10 Acting: 5/10 Editing: 4/10 Sound: 6/10 Score/Soundtrack: 4/10 Production Design: 6/10 Casting: 8/10 Effects: 6/10
Overall Score: 5.1/10.
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- How long is The Lost City?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- La ciudad perdida
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 68 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 105 344 029 $US
- Week-end de sortie aux États-Unis et au Canada
- 30 453 269 $US
- 27 mars 2022
- Montant brut mondial
- 192 907 684 $US
- Durée1 heure 52 minutes
- Couleur
- Rapport de forme
- 2.39 : 1
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