En 1962, le gouvernement des États-Unis demande l'aide de mutants dotés de capacités surhumaines pour arrêter un dictateur malveillant qui est déterminé à déclencher la troisième guerre mond... Tout lireEn 1962, le gouvernement des États-Unis demande l'aide de mutants dotés de capacités surhumaines pour arrêter un dictateur malveillant qui est déterminé à déclencher la troisième guerre mondiale.En 1962, le gouvernement des États-Unis demande l'aide de mutants dotés de capacités surhumaines pour arrêter un dictateur malveillant qui est déterminé à déclencher la troisième guerre mondiale.
- Récompenses
- 22 victoires et 40 nominations au total
Álex González
- Janos Quested
- (as Alex González)
- …
Histoire
Le saviez-vous
- AnecdotesTo prepare for his role as Charles Xavier, James McAvoy shaved his head. He soon learned that the filmmakers wanted Xavier to have a full head of hair in the prequel. Throughout the first month of filming McAvoy had to wear hair extensions. He finally shaved his head for X-Men: Apocalypse (2016).
- Gaffes(at around 59 mins) When Xavier and Erik were confronting Emma Frost in the Soviet Union, some might think that it would have been impossible for Erik to crack Emma's neck with the metal bed frame because diamond is one of the hardest substances known to man. Hardness does not prevent cracking. There are different types of material strengths. Diamond's hardness does not mean that it is invulnerable to all types of stress.
- Citations
Erik Lehnsherr: Excuse me, I'm Erik Lehnsherr.
Professor Charles Xavier: Charles Xavier.
Logan: Go fuck yourself.
- Crédits fousPart of the closing credits take place in a sequence of X-symbols, chromosomes and DNA strands (reminiscent of the opening credits to James Bond 007 contre Dr. No (1962)).
- ConnexionsEdited into 5 Second Movies: X-Men: First Class (2011)
- Bandes originalesConcentration Camp
(from X-Men (2000))
Written by Michael Kamen
Courtesy of Twentieth Century Fox Film Corporation
Commentaire à la une
There are plenty of big action scenes throughout but it's the first half of the film that really impresses. Establishing these characters and the entire universe is done remarkably well and in a remarkably moving manner. This new spin on familiar "bad guys" Magneto and Mystique does give the actions and emotions for the characters a new level of appreciation and helps give them so much more depth and pathos. Both sides of the fence (Xavier's vision and Magneto's contempt) are advanced and the brilliance of the plot is that both sides are understandable and relatable. The viewer can simply sit and watch it unfold but also be emotionally invested in the journey. During the second half, plot threads move towards resolution and action picks up. Xavier is a shining example and his journey throughout the film matches that of Erik.
First Class never undermines the audience nor talks down to them and does all that is expected of it. It delivers great action, humor, effects and a strong connection between heroes, villains and those developing in between. The retro design is suave and making this a period piece gives it a cool and unique flavor. The collaboration between Singer and Vaughn apparently was a perfect blend. Vaughn did a brilliant job and Singer's vision from the first two films stayed in tact and was enhanced. I have to add that the score had a perfect heroic theme but was also moving and very well done. The overall impact of this film leaves you with a great sensation of a job well done. Fast paced yet filled with depth, spellbinding visual effects and a gripping finale. In the end, they succeeded in re-establishing these characters in a superb and interesting manner. There is more to offer and more depth to appreciate. I certainly can't wait for a sequel and inclusion of Scott and Jean from the original trilogy.
First Class never undermines the audience nor talks down to them and does all that is expected of it. It delivers great action, humor, effects and a strong connection between heroes, villains and those developing in between. The retro design is suave and making this a period piece gives it a cool and unique flavor. The collaboration between Singer and Vaughn apparently was a perfect blend. Vaughn did a brilliant job and Singer's vision from the first two films stayed in tact and was enhanced. I have to add that the score had a perfect heroic theme but was also moving and very well done. The overall impact of this film leaves you with a great sensation of a job well done. Fast paced yet filled with depth, spellbinding visual effects and a gripping finale. In the end, they succeeded in re-establishing these characters in a superb and interesting manner. There is more to offer and more depth to appreciate. I certainly can't wait for a sequel and inclusion of Scott and Jean from the original trilogy.
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- X-Men: Primera generación
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 160 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 146 408 305 $US
- Week-end de sortie aux États-Unis et au Canada
- 55 101 604 $US
- 5 juin 2011
- Montant brut mondial
- 352 616 690 $US
- Durée2 heures 11 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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