Ore wa matteru ze
- 1957
- 1h 31min
NOTE IMDb
7,0/10
1,1 k
MA NOTE
Ajouter une intrigue dans votre langueA former boxer gets involved with a club hostess trying to escape the clutches of her gangster employer.A former boxer gets involved with a club hostess trying to escape the clutches of her gangster employer.A former boxer gets involved with a club hostess trying to escape the clutches of her gangster employer.
Histoire
Le saviez-vous
- AnecdotesCo-stars Yujiro Ishihara and Mie Kitahara married in 1960, and remained married for the reminder of Ishihara's life.
- Bandes originalesOre wa matteru ze
Words by Masami Iwasaki
Music by Kenroku Uehara
Arranged by Tokujiro Okubo
Performed by Yûjirô Ishihara
Commentaire à la une
I Am Waiting (1957)
A Japanese kind of noir flavored crime drama that uses tropes and cliches to their max. And it works. There is the woeful beautiful woman and the troubled handsome man, and they meet in ways that make their relationship complicated. Some thugs get in the way, the past has its grim details resurface, and a couple of side characters give the main pair color and life.
It's kind of great in a B-movie way. The filming (camera and lights) by Kurataro Takamura is terrific, and helps hold it up even if the writing is sometimes a bit obvious. The acting is solid, maybe even very good, but the characters are made to play types that don't allow for as much development as you might like.
In all these ways the film is a lot like the average noir. But it doesn't hold a candle to a great American noir. The editing is sometimes awkward, the story a hair too simple (despite all the unnecessary flashbacks), the good and bad guys a bit too simple in their motivations. I think you can love this movie for exactly these things, but know it ahead of time.
Takamura is terrific, it has to be repeated. The long fight scene near the end, and the final long take before the credits, are both first rate stuff. This is director Koreyoshi Kurahara's first film, and if a novice feeling sometimes shows, the movie also reveals a bold talent and reckless love of cinema, which is really all that matters.
A Japanese kind of noir flavored crime drama that uses tropes and cliches to their max. And it works. There is the woeful beautiful woman and the troubled handsome man, and they meet in ways that make their relationship complicated. Some thugs get in the way, the past has its grim details resurface, and a couple of side characters give the main pair color and life.
It's kind of great in a B-movie way. The filming (camera and lights) by Kurataro Takamura is terrific, and helps hold it up even if the writing is sometimes a bit obvious. The acting is solid, maybe even very good, but the characters are made to play types that don't allow for as much development as you might like.
In all these ways the film is a lot like the average noir. But it doesn't hold a candle to a great American noir. The editing is sometimes awkward, the story a hair too simple (despite all the unnecessary flashbacks), the good and bad guys a bit too simple in their motivations. I think you can love this movie for exactly these things, but know it ahead of time.
Takamura is terrific, it has to be repeated. The long fight scene near the end, and the final long take before the credits, are both first rate stuff. This is director Koreyoshi Kurahara's first film, and if a novice feeling sometimes shows, the movie also reveals a bold talent and reckless love of cinema, which is really all that matters.
- secondtake
- 20 mars 2019
- Permalien
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Détails
- Durée1 heure 31 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.37 : 1
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By what name was Ore wa matteru ze (1957) officially released in India in English?
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