La piel que habito
Un brillant chirurgien esthétique, hanté par des tragédies passées, créé une peau synthétique capable de supporter tout type de dommage. Son cobaye? une femme mystérieuse et instable qui dét... Tout lireUn brillant chirurgien esthétique, hanté par des tragédies passées, créé une peau synthétique capable de supporter tout type de dommage. Son cobaye? une femme mystérieuse et instable qui détient la clé de son obsession.Un brillant chirurgien esthétique, hanté par des tragédies passées, créé une peau synthétique capable de supporter tout type de dommage. Son cobaye? une femme mystérieuse et instable qui détient la clé de son obsession.
- Victoire aux 1 BAFTA Award
- 28 victoires et 69 nominations au total
Histoire
Le saviez-vous
- AnecdotesAfter a few days of shooting, Pedro Almodóvar had a conversation with Antonio Banderas in which he told Banderas that he needed to drop all of his tics as an actor, because the director wanted a really restrained character and the actor was playing him in a more typical psycho way.
- GaffesWhen Doctor Robert Ledgard and his colleagues are preparing themselves for surgery, they fasten each other's surgical gown from the back, contaminating their sterile gloves.
- Citations
Profesora de Yoga en TV: There's a place where you can take refuge. A place inside you, a place to which no one else has access, a place that no one can destroy.
- Crédits fousAt the start of the end credits, there is a rotating DNA double helix in the background.
- ConnexionsFeatured in At the Movies: Cannes Film Festival 2011 (2011)
- Bandes originalesPor el amor de amar
(Versión Castellana)
Written by Jean Manzon and José Toledo
Performed by / interpretada por CONCHA BUIKA (Buika), al piano Iván González Lewis (as Iván 'Melón' Lewis)
© 1960, by Jean Manzon & Jose Toledo.
Autorizado para todo el mundo a Universal Music Publishing, S.L.
Todos los derechos reservados.
Grabado en CATA (Madrid).
In the end its a gorgeous looking, philosophically complex mystery and horror film. Although not gory, this is a disturbing work, both on a literal story level, and also for the questions it raises about identity, love, sado-masochism, and passion run amok.
These themes are all Almodovar touchstones, but delivered here with a visually stunning icy touch, and with much more complete logic than in his early works, which often felt less fully thought through, and had more frustrating plot holes and character leaps.
Not a 'scary' film, but a creepy, moody and highly effective one. A dark fairy tale as told by, say Stanley Kubrick.
It's good to see Antonio Banderas reunited with Almodovar, and he delivers a wonderfully complex and quirky modern day Dr. Frankenstein.
Less emotional than my two very favorite Almodovar films (Talk to Her, All About My Mother), but its exciting to see this extremely talented film maker continue to evolve and grow, and I think this represents work that can stand among his best.
- runamokprods
- 21 nov. 2011
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- The Skin I Live In
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 10 002 914 € (estimé)
- Montant brut aux États-Unis et au Canada
- 3 185 812 $US
- Week-end de sortie aux États-Unis et au Canada
- 223 119 $US
- 16 oct. 2011
- Montant brut mondial
- 33 716 389 $US
- Durée2 heures
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1