Gentlemen Broncos
- 2009
- Tous publics
- 1h 29min
Le manuscrit de science-fiction d'un jeune homme est plagié par un auteur sur le déclin.Le manuscrit de science-fiction d'un jeune homme est plagié par un auteur sur le déclin.Le manuscrit de science-fiction d'un jeune homme est plagié par un auteur sur le déclin.
- Récompenses
- 2 nominations au total
Robin Ballard
- Female Assistant
- (as Robin D. Ballard)
Jizelle Jade
- Troll Girl
- (as Jizelle Jade Jurquina)
Daniel Love
- Camera Operator
- (as Daniel 'Doc' Love)
Histoire
Le saviez-vous
- AnecdotesThe character of Chevalier is based on Utah based science fiction and fantasy writer Dave Farland, who also writes under the name Dave Wolverton, and who conducts popular novel writing workshops and seminars. The "Yeast Lords" is a take off on his popular and best selling books, The Runelords.
- GaffesWhen Chevalier opens "Yeast Lords," the audience hears the second part of the story as though he's reading it, even though it's obvious that he has opened to the first page.
- Crédits fousAfter the credits, we see Bronco cutting some of his hair and pasting it with honey on Vanaya's bald head. And then they kiss.
- Bandes originalesIn the Year 2525
Written by Rick Evans
Performed by Zager & Evans
Courtesy of The RCA Records Label and The RCA/Jive Label Group, a unite of Sony Music Entertainment
by arrangement with Sony Music Licensing
Commentaire à la une
Seeing this was released in 2009 my first thought was, "Oh yeah, there WAS a follow up to 'Napoleon Dynamite'... wasn't it not that good?" Now I'm watching it in 2024 and it's better than 'Asteroid City', so either entertainment was so good in 2009 that 'Gentlemen Broncos' was considered "mid", or entertainment for the last decade has lowered the bar to where 'Gentlemen Broncos' is now comparatively "good". Regardless of how we got here, I'm enjoying it now.
Jared Hess certainly continues the weirdness in this one. 'Napoleon Dynamite' pioneered the art of bludgeoning the audience with awkward character actors, which he does again here. The first time I saw ND I couldn't find the humor through the cringe, and it took multiple watches to appreciate. GB is much less grounded in reality and more absurdist slapstick than ND, which imho makes it more accessible to a general audience.
I like the characters, the actors, and the story, but some of the characters lean a little too hard into their stereotypes to where they lose some believability, and the believability of the characters was a strength of Napoleon. Great cast, sets & props, music, cinematography, lighting, etc.
Saying 'Gentlemen Broncos' was "ahead of its time" implies it does something profound, which it doesn't; but it was ahead of its time in the sense that if it came out today it would probably receive more praise than it did in 2009.
As a fan of Breen, Wiseau, DeCoteau, Nguyen, MST3K, Rifftrax, EFAP, etc, I appreciate the bad films.
Jared Hess certainly continues the weirdness in this one. 'Napoleon Dynamite' pioneered the art of bludgeoning the audience with awkward character actors, which he does again here. The first time I saw ND I couldn't find the humor through the cringe, and it took multiple watches to appreciate. GB is much less grounded in reality and more absurdist slapstick than ND, which imho makes it more accessible to a general audience.
I like the characters, the actors, and the story, but some of the characters lean a little too hard into their stereotypes to where they lose some believability, and the believability of the characters was a strength of Napoleon. Great cast, sets & props, music, cinematography, lighting, etc.
Saying 'Gentlemen Broncos' was "ahead of its time" implies it does something profound, which it doesn't; but it was ahead of its time in the sense that if it came out today it would probably receive more praise than it did in 2009.
As a fan of Breen, Wiseau, DeCoteau, Nguyen, MST3K, Rifftrax, EFAP, etc, I appreciate the bad films.
- infinitetyler
- 13 oct. 2024
- Permalien
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- How long is Gentlemen Broncos?Alimenté par Alexa
Détails
Box-office
- Budget
- 10 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 113 682 $US
- Week-end de sortie aux États-Unis et au Canada
- 11 502 $US
- 1 nov. 2009
- Montant brut mondial
- 118 492 $US
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